Going To The Olympics Analysis

Going back to the original question, what is considered graffiti? McAuliffe and Iveson proposed an idea, “asking whether graffiti is still graffiti if it is taken from its illegal context on the walls of the city and placed in a gallery” (130). In “The Making of Space, Race and Place” by Maggie Dickinson, Sandra Fabara, a writer who was featured in the Brooklyn Museum exhibit, answered this question. Fabara argued that “The pieces in galleries cease to be graffiti because they have been removed from the cultural context that gives graffiti a reason for being, a voice from the ghetto. Authentic graffiti cannot exist in the sanctuary provided by the galleries and museums” (39). She is saying that since the cultural side is being taken away and

Today there are world known graffiti artists, Aryz, Kaws, and D Face are just a few. Any artist wants to be recognized and have their work appreciated. That is why public property is so appealing to the graffiti artist. A train car moving throughout the city with your mural on it will be seen by hundreds, even if its up for a small period of time. Most graffiti artists take time to create a piece. It takes a lot of planning and effort to make a great piece of art. Graffiti artists are all about techniques, you need to be able to show you are an expert in your medium. It’s also important for a graffiti artist to find an imaginative spot for a mural, so it’s obvious that it’s hard work. To make graffiti a piece of art it must have purpose and inflict emotion on its audience, which is why the forcefulness of the urban environment is as much as part of the artwork as the graffiti itself. Taggers have no real reason to create graffiti. Nor is what they do visually pleasing.

If you walk through almost any city, the buildings, bridges, and any other available spaces are seemingly filled with colors, picture, and words that are not part of the original architecture. This graffiti, which is a mix of tags, stencils, pieces, and freestyle, seems to have almost taken over cities across the world. Some of this graffiti, such as tags, are eyesores, but some pieces, such as the High Line “Love Is the Answer” and “Kiss” murals in New York City, are sites that have become iconic pieces of artwork. Unfortunately, pieces like these are also starting to be covered to a seemingly astronomical rate, which is causing outrage among those who visited to them.

According to the article, local artists encourage to paint the legal wall in Santa Fe. It does not mean just a painting but also mean the opportunity to speak their voice to the community. The influences of the local youth culture in Santa Fe are enormous in the society. First of all, the tendency of young people that they turn to alcohol, drugs, or anti-social behaviors have been shifted to a positive way. Also, the legal graffiti wall gave

Murals are the quintessential public art embodying the spirit of the community in which they are created. They say this is who we are, this is what we think, this is where we come from, and this is what we want, reflecting most clearly any changes in the sociopolitical environment. Murals lay out a powerful visual image of the ideology of their creators or sponsors, be it the Church during the Renaissance, government funded projects, or individuals expressing opposition. In Mexico, after the Mexican Revolution of 1917, the government commissioned a vast number of mural projects to transmit its revisionist history of the country, and celebrate the empowerment of the underclass in their recent victory. Predominate themes were cultural

Frank Romero depicts the life of Los Angeles by including symbols such as automobiles, hearts, post stamp, blimp, horse, two men wrestling and an iron to his mural " Going to the Olympics" 1984. Each symbol represents Los Angeles, for example the automobiles represents how essential automobiles are to the citizens of LA. To strengthen this depiction Romero includes hearts above the automobile to represent the love LA has towards cars. The post stamp represents the communication within LA. The blimp represents a known object within LA. The horse and the two men wrestling represent Olympic games at that time period. Romero also includes homage to an Olympian by adding the iron.

The Olympics were revived in 1896 thanks to Pierre de Coubertin. Since its reemergence in 1896, the modern Olympic movement has been shaped and influenced politically through the tensions between countries, economically through financial gain opportunity, and socially by promoting women’s rights. Another document I would like to have seen would be one containing a record of third world countries that have attended the Olympics. This document would have shown how wealth effects and shapes the modern Olympics.

     Public art conquers so much more than the simple task of making the street a little easier to look at. It involves those who created it, those who supplied the means to create it, and those whose lives it continues to impact. Wall paintings in particular take an important role in working for a greater good. Judith F. Baca, a Hispanic-American woman and artist- activist has contributed an unaccountable amount to the mural movement in Los Angeles. She has accomplished this by giving individuals the chance to create art and develop a sense of pride, she has taught younger generations a respect for their ethnic identity, and from the many walks of life that continue to view her

The 1896 Olympics may be remembered because it was the Game that started it all but there was much room for improvement. The next two Games were both disasters. The 1908 Games of London saved the Olympics from disappearing. The 1904 Games in St. Louis were considered as one of the worst Games ever.

Graffiti portrays a message whether it’s spelled out on the concrete or hidden behind a sort of code. It lets unheard voices, be heard. There are many different forms of graffiti, tagging is the form of street art that most often results in consequences (Eickmier). This is because tagging is basically signing your nickname on a wall, and once the police figure out your pseudonym they will most likely find you. Graffiti is not always considered to be ugly though, some artists work actually ends up in museums (Wark) A manchester artist who goes by the name “Banksy” ultimately avoided jail because his work was deemed “artistic” He was later given an opportunity to showcase his work in a museum. Graffiti does not

Graffiti can be found everywhere and anywhere. It is a way for people to express themselves and be creative in a public manner. It shows how passionate and talented they can be when it comes to drawing or tagging and have it displayed as a piece of art for everyone to see. Graffiti goes way back to the ancient times and is now very well known in the modern days which makes more and more people interested and fascinated by them. It can be used in different types of ways. Many artists can either spray paint, carve, paste, or stencil them on a surface. From how we see them today they are usually images of random cartoons, big bubbly letters, vintage black and whites or inspirational quotes. Virtually anything colorful or not and big that can be easily spotted. Graffiti is more superior to be known as art than vandalism because it is a self expressing act. People need to be open minded about the images they see and look at the message behind it or else they will immediately criticize and say it is vandalizing property.

With the Olympic games being held in Sydney this year, I wondered if perhaps the performance of the economy was being affected in part by the fiscal stimulus provided by Olympic construction in Sydney and other parts of the country. Australia’s economy has been performing well recently, suggesting that there might be some effect. Over the last five years, growth in Australia’s gross domestic product has averaged 4.35%, almost a full point above it’s thirty year annual average of 3.5%, and the unemployment rate is near a ten year low. According to one estimate, the Olympics will tack on an additional six and a half billion dollars, about 1.6% of the GDP, to Australia’s GDP over the

The origin and history of graffiti is not what one might expect. Believed to have been created by a Philadelphia high school student named Cornbread in 1967, it was a bold effort to catch the attention of a girl (De Melker). In this same time period, graffiti sprung up in New York as well. It was “one among many forms of social protest” during

Graffiti has put a major impact on the way people look at their everyday life. It was not used so much here in the United States but was used overseas. Overseas, graffiti, or street art, was used or played as a sport, just like baseball is Americas sport. There are different laws that are put over there than what there are here. They can get away with some of the things that they paint or make over there. If we tried some of that type of work over here, we would get in trouble and possibly serve time for vandalizing someone else’s property. There are many biased outlooks on graffiti, but it should be considered art in all places because of all the time, effort, and design the artist put into their work.

As far as structures go, there was the one small square one-story building with graffiti and the brick and cement graffiti riddled canopy structures that covered approximately ten picnic tables. Graffiti was basically everywhere, yet I noticed that the Virgin of Guadalupe, the Saint of Mexico, painted on the side of the building was untouched. Not even gang sign graffiti was anywhere near it. This in itself shows respect; which makes me wonder why the youth and various residents of South Phoenix would disrespect the rest of their neighborhood by polluting it in so many ways. Perhaps it is like Tricia Rose stated, “graffiti writers…claim turf and gain local status by developing new styles” (1)