Hamlet’s and Martin Luther’s relationships with their families serve as a fundamental significance in their lives. Both protagonists present a mixed feeling of resentment and love toward their mothers, and strong devotions to their fathers. Hamlet showed strong disgust towards his mom’s marriage to Claudius, and he believes his mom has betrayed his father and broken their marriage vows by marring his uncle so quick after the death of the king (Hibbard 279). Moreover, he thinks his mom is weak and lustful, as she is eager to get into bed with Claudius (Hibbard 282). However, even though Hamlet portrayed abomination towards his mom, he still loves her as a son. Throughout the play, Hamlet struggles with getting revenge and shows much hesitation …show more content…
In conclusion, both characters are very self-conflicting. For Hamlet, it is related to his uncertainty about the nature of the ghost and the appropriate time in which he should take revenge (Alsaif 134). For Luther, his hesitant nature is evident during his first hearing at Worms and his hesitation regarding the relics in 1523. When the ghost “faded o the crowing of the cock” (Hibbard 153), the cock was an important Christian symbol during the Middle Ages. It screeched at the birth and death of Christ, and Hamlet believes that a cry of a cock disperses demons (Alsaif 134). After hearing the story of his father’s murder, he did not right away plan for revenge and instead, he goes away and prays (Hibbard 196). In addition, Hamlet’s character is very self-conflicting. He wants to take revenge, yet he walks around acting crazy, dreams about irreverent things yet wants someone to slap him out of his current pathetic state (Hibbard 234). Even though Hamlet swore to the ghost that he will take revenge, he still does not trust the ghost as he thinks it might be the devil, so he decides to arrange a play for Claudius and see if he will confess his crimes, this act of his furthermore illustrates his indecisiveness to trust other and himself (Hibbard 235). Most importantly, at the climax of the play when Claudius was confessing his sins, Hamlets decides not to kill his uncle when he was repenting his sins as he does not want to send him to heaven (Alsaif 134). His attitude towards the ghost his decision of not killing Claudius, his crazy behaviour and delaying his revenge illustrate his has the mindset of an avenger, but has the hesitation of a
Hamlet also delays killing the King because he is unsure of the morality of carrying out such a task. This factor is important as Hamlet is a very idealistic and moralistic person. Revenge was prohibited by ecclesiastical law, but the duty of personal honour' prevalent in Elizabethan times often won through. In the play, Hamlet debates
After analyzing these thoughts, they produce doubt like: if the ghost is coming from purgatory, why would the ghost commit another sin inciting his son to do something wrong? This will generates more punishment to the ghost, making him to have more chances to go hell. As this doubt came to my attention, it came to Hamlet's reflection too. Therefore this doubt causes Hamlet to delay in taking action since he needs more evidence to prove the ghost's words.
Revenge is a very prominent part of the play; the play revolves around revenge. The main conflict revolves around Hamlet wanting revenge towards Claudius, but not being able to do it. There is another instance in where revenge is involved: Laertes wanting revenge against Hamlet for killing his father. Revenge is also the reason for Claudius, Gertrude, Laertes, and Hamlet’s death. When Laertes says “I will do ‘t” (IV VII 159), he sealed the fate of four people. He agreed to take revenge on Hamlet and his revenge backfired. Hamlet stabbed both Laertes and Claudius with Laertes’s sword. Laertes stabbed Hamlet, and Gertrude drank the poison that was intended for Hamlet, if Laertes was to lose the match. Revenge ended up dictating Hamlet’s life up until the end. Shakespeare shows through Hamlet how revenge can control people's
First of all, King Hamlet, in ghost form, takes advantage of Hamlet for his own needs. The ghost comes to his son, Hamlet, only to ask him to seek revenge on Claudius, his brother, who was the reason for his death. The ghost specifically states to “revenge his soul and most unnatural murder” after coming back from the dead (1.5.31). The ghost does not ask about how Hamlet was, but he uses Hamlet for his own benefit. He does not look at any of the obstacles that Hamlet would have to go through to complete this task, nor does he think about how the need for revenge might even lead to Hamlet’s suffering. The ghost’s “youthful observation [was] copied there, and [his] commandment all alone live within the book and volume” in Hamlet’s brain (1.5.108-110). All Hamlet’s actions came from this one revenge request. Hamlet staged his madness just to find out Claudius’ guilt, but he did not realize that he was hurting his mother, Polonius, and even Ophelia along the way. Gertrude becomes devastated as Hamlet’s madness seems to progress. She had to face her son’s wrath and abuse even though she did not know the truth about her husband’s death. Hamlet’s staged madness also has a major effect on Polonius as he is murdered during the conversation between Gertrude and her son. Ophelia faces confusion when Hamlet unexpectedly bashes her for being a female and makes jokes about her virginity. All three of
William Shakespeare’s The Tragedy of Hamlet relays Hamlet’s quest to avenge the murder of his father, the king of Denmark. The late King Hamlet was murdered by his brother, Claudius, who took the throne and Hamlet’s mother Gertrude for himself. Hamlet is beseeched by the ghost of his father to take vengeance upon Claudius; while he swears to do so, the prince inexplicably delays killing Claudius for months on end. Hamlet’s feeble attempt to first confirm his uncle’s guilt with a play that recounts the murder and his botched excuses for not killing Claudius when the opportunity arises serve as testimony to Hamlet’s true self. Hamlet is riddled with doubt towards the validity of the ghost and his own ability to carry out the act necessary to
Although deeply sorrowed by his father?s death, he did not consider payback as an option until he meets with the ghost of his father. The ghost tells Hamlet King Claudius, his own brother, murdered him. The ghost then tells Hamlet ?to revenge his foul and most unnatural murder? (I.v.25). Although murder was an acceptable form of revenge in Hamlet?s time he is uncertain about killing Claudius. However, upon his father?s command, Hamlet reluctantly swears to retaliate against Claudius. Hamlet does this not because he wants to, but because his father makes it clear that it is his duty as a son. Hamlet promises to prove his love and duty by killing Claudius.
Hamlet has a visit from his father’s ghost and is told that his death was brought about by murder, the person doing so being Claudius. Hamlet is told by his ghostly father figure to avenge his death and kill Claudius, a task Hamlet would prove is more complicated than it would appear. Like Hamlet, Claudius is too proving to be his own worst enemy, struggling with hiding the guilt from killing his own brother. This drives Claudius away from others, becoming more and more suspicious of all those around him.
Hamlet tells himself he wants to seek vengeance, but his hesitation seems to imply he does not want to become a murderer at all. Additionally, Hamlet’s conscience seems to suppress his desire for retribution. Revenge indicates restoring honor in his family, but Hamlet cannot reinstate honor if he sends the “same villain” who murdered his father to heaven (3.3.82). The religious aspect of death prevents Hamlet from completing the deed, because he believes confession will save Claudius from an eternal state of agony. While the importance of honor is prevalent, Hamlet’s uncertainty regarding killing Claudius heightens his inability to act.
At the beginning of the play, Hamlet’s indecision causes his troubles, not revenge. He is more inclined to speak about doing something than actually do it, and from the beginning shows hesitation towards the concept of revenge. At first, he is thrown into a frenzy by his conversation with the ghost. However, the audience sees that two months later, he is yet to make any progress towards killing Claudius. Instead, he is bouncing back between mania and depression, frustrated with himself that he cannot take any action, but more preoccupied with his anger at his mother and his friends. He scolds himself for being “unpregnant” of his cause, but also declares that an actor would “drown the stage with tears” if put in his position (II, ii). He believes he needs to kill his uncle but is also unwilling to take action, preferring to speak about his thoughts on Gertrude and Claudius’ incestuous relationship. Also contributing to Hamlet’s indecision is the contrast between his image of what an avenger should look like and his own self-image. He pictures “rugged Pyrrhus,” with “sable arms” and who is “roasted in wrath and fire,” when he thinks of an avenger. This godlike figure is in contrast with his self-image; in his first soliloquy, he says Claudius is “no more like my father than I to Hercules” (I, ii). To himself, Hamlet is as far away from heroic or godlike
Since Hamlet receives his only initial information from a ghost, a relatively dubious source, Hamlet postpones acting until he has certain knowledge that Claudius is responsible for his father’s death, retreating into himself to determine the nature of his mission. His duty to avenge is obstructed by his pursuit for certainty, causing him to become increasingly more indecisive in his plans for revenge. Hamlet questions the legitimacy of the Ghost’s
From the moment the ghost of Hamlet’s father accuses his brother of murdering him treacherously for the throne, Hamlet’s quest for revenge begins. Prior to this scene, the character of the soon to be quester, Hamlet, is set up so that he will have an apparent motive. “So excellent a King, that was to this Hyperion to a satyr, so loving to my mother that he might not beteem the winds of Heaven visit her face too roughly.” (I.ii(139-142)) Hamlet, who holds his father at a high regard, also expresses disdain for Claudius, calling him a satyr, and demonstrates how loving his father was for his mother. From this, Hamlet’s character is built into one in which he is willing to follow the suspicious ghost of his father despite his friend 's protests. Then, when his father tells him of his murder at the hands of his brother, Hamlet is shocked but, as seen earlier, he already holds Claudius in a low regard and is willing to begin a quest of rage and revenge against him for the father he still holds in high regard.
Moreover; Hamlet has doubts about his father’s “ghost” true intentions. He often wonders if the ghost has evil intent towards him and he is ashamed he might be being used by the entity. “The ghost I saw may be the devil and the devil has the power to assume a pleasing disguise, and so he may be taking advantage of my weakness and sadness to bring about my damnation” (II.II.565-569). For this reason Hamlet sets out to do a play to prove both his uncle reaction and the ghost’s effectively delaying once more his uncle’s assassination.
In the presentation, the ghost mentions that getting revenge on Claudius is Hamlet’s own choice to make, and he warns Hamlet about what will happen to him if he avoids remaining silent. In the play, however, the ghost encourages Hamlet to get the revenge. Ultimately, these two ideas convey the theme of indecision, both in the play and in the presentation. Since the both sides of this decision that Hamlet should make are extremely controversial, Hamlet becomes indecisive about his purpose. If he remains silent, Claudius and Gertrude may become more corrupted, or they may regret what they did, which may put an end to their corruption.
For centuries critics have tied themselves in knots trying to solve the baffling problem Hamlet appears to pose. Commanded by his father’s ghost in Act 1 to ‘Revenge his foul and most unnatural murder’ by his brother Claudius, who has robbed him of his wife and throne as well as his life, Hamlet swears that ‘with wings as swift / As meditation, or the thoughts of love,’ he will ‘sweep to [his] revenge’ (1.5.25, 29–31). He then spends almost the entire play spectacularly failing to keep his oath, despite the ghost's reappearance in Act 3 to remind him: ‘Do not forget! This visitation / Is but to whet thy almost blunted purpose’ (3.4.110–11). Indeed after his departure for England, Hamlet’s obligation to avenge his father seems all but forgotten, and on his return he shows no sign of planning to take his uncle’s life. When he does at last kill Claudius in the dying moments of Act 5, he does so suddenly, without forethought,
The ghost also tells Hamlet that he has been given the role of the person who will take revenge upon Claudius. Like a typical revenge tragedy, in Hamlet a crime is committed and for various reasons laws and justice cannot punish the crime so the individual, Hamlet proceeds on to take revenge in spite of everything.