Loyalty between Father and Son Relationships “O cursed spite,/ That ever I was born to set it right!” (Hamlet 1.5.197-198). These words of Hamlet set the tone for the theme of revenge in the play Hamlet. This reoccurring theme arises through the father and son relationships in the course of the play. The characters Hamlet, Laertes and Fortinbras all experience the loss of their fathers, and all, as loyal sons, must avenge them. In each case, the execution of their plans is different, and for each son, the results of their actions are unexpected. Of these characters Hamlet and Laertes acted in an unbalance manner; Hamlet too overly analytical and Laertes too overly emotional and therefore the outcomes of their revenge schemes …show more content…
Vows to the blackest devil!/ Conscience and grace, to the profoundest pit!... /Let come what comes only I’ll be reveng’d/ Most throughly for my father” (Hamlet 4.5 130-131, 134-135). His response is one of a hot-headed man without focus which allows Claudius to orchestrate Hamlet’s eventual demise. Claudius presents an underhanded plan by having Laertes change Hamlet to a friendly duel. Instead the plan involves having Laertes use a poison-tipped sword. Claudius tells Laertes that, “Revenge should have no bounds. ... He, being remiss, ... Will not peruse the foils, so that with ease - ... - you may choose A sword unbated, and in a pass of practice Require him for your father”(4, 7, 128,134,136-139). Laertes does, in fact, get his revenge by killing Hamlet the way they he and Claudius had planned but the swords were switched after being dropped and Laertes too was stabbed by his own poisoned sword. After he realized his misfortune he cried out to Osric saying, “Why, as a woodcock to mine own springe, Osric./ I am justly kill’d with mine own treachery” (Hamlet 5.2.300-301). Laertes realizes that he has been a fool to be killed by the plan he set for Hamlet just as the woodcock is a foolish bird that is easily caught in a trap. Although Laertes gets his revenge, his quick acceptance of a poorly planned scheme inadvertently causes his own death along with Hamlet.
Laertes also brings revenge and betrayal out of Hamlet. Though an enemy, Laertes is a foil to Hamlet. Laertes helps in the development of Hamlet through the similarities they share. These include anger over the death of their fathers, and desire to exact revenge. Betrayal is also relevant because Laertes betrays Claudius in the end, revealing his plan to kill Hamlet. Hamlet betrays his father by verbally abusing his mother, against the wishes of his father. The differences between the two men are very strong. Hamlet would not kill Claudius in the church because he was praying. Laertes, however stated that he would kill Hamlet in a church, praying or not. Another difference is that Hamlet cannot be a man of action and a man of thought at the same time. He does not use his mind when he acts. He just acts. When he is pondering something, he is unable to act out his thoughts, and keeps quiet. Laertes, however, is able to act while thinking. He finds out that Hamlet killed his father and immediately devises a plan to kill him. This flaw makes Hamlet dangerous to himself, and is ultimately his downfall.
When Laertes learns that Hamlet has killed his father, he immediately goes along with the king's plan to kill Hamlet. Laertes agrees to "be ruled" by the King so that Hamlet "shall not choose but fall; / And for his death no wind if blame shall breathe, / But even his mother shall call it accident" (4.7. 69, 65-68). Laertes has lost all form of conscience because of his anger towards Hamlet, he even wants "to cut [Hamlet's] throat i' the church" which is a grave offense that would surely send Laertes to Hell (4.7.127). Hamlet, on the other hand, spends much of his time plotting how he will gain his revenge. He has "heard / That guilty creatures sitting at a play have proclaimed their malefactions / Before mine uncle, I'll observe his looks If a do blench, / I know my course" (2.2.589-90, 593, 597.598-9). Hamlet chooses to show the King a play, very like that of Claudius' own murderous deed, in order to cause a reaction. When "the King rises" unexpectedly, Hamlet gains some evidence of the King's guilt, beyond the word of a ghost.
Hamlet (prince of Denmark) can be greatly compared to Laertes (son of a noble), and Fortinbras (prince of Norway) in the play. They all are very similar but yet different at the same time. They all had love and respect for their fathers and felt the need to avenge their deaths, which all were brutally killed. All three believed that the murderers had dishonoured their fathers as well as themselves. They all reacted and took different approaches in attempt to restore honour in their families.
Laertes plots for vengeance due to Hamlet killing his father and second-handedly killing his sister, Ophelia. Hamlet, who is still a self-absorbed narcissist, is beyond clueless to Laertes intentions for fighting. In the end, Hamlet is cut with the poisonous sword, Laertes is stabbed with the poisonous sword, Gertrude drinks from the poisonous cup, and King Claudius finally gets what he deserves after Hamlet, as he’s dying, stabs him and forces him to drink the poison. Hamlet, who suffered through a road of vengeance, finally kills Claudius at the last possible second. All of Hamlet’s family and friends die because of his inability to be a man of action and a man of thought at the times when they are opportune. His delay of killing Claudius led him to become invested in his own issues and become the domino effect for the death of others. His moral ambiguity is questioned even at the end of the play because he killed Claudius at the last possible second. In Shakespeare’s tragedies, like Hamlet, Hamlet desire for vengeance ultimately corrupts the morals and decisions he makes further affecting the people around him as he is so self-involved. Hamlet’s morals suffer because he never once looked within himself to understand where he went wrong. Hamlet’s moral ambiguity creates this significance to the play by emphasizing the fact that
When Hamlet hears a noise behind a curtain, and stabs at it wildly, assuming it is the man who killed his father, he finds out it is his friend Polonius, the father of Ophelia. After Ophelia learns of her father’s death, she loses touch with reality, and drowns. Once Hamlet decided to take action, he had no control over the actions of his revenge, which consequently led to his girlfriend’s death. Also, Laertes, the son of Polonius, after learning of his father’s murder by Hamlet, concocts a plot of his murder. He poisons a rapier to kill Hamlet, but Hamlet unknowingly uses that same poison against him. Laertes´ desire for revenge against Hamlet led to his own death from his own actions. After being poisoned in his duel with Hamlet, he says “I am justly killed with mine own treachery” (5.2.338). The characters who pursued these acts of vengeance expected satisfaction, but the opposite occurred. Thus, Hamlet, undermines the belief that revenge gives satisfaction and relief to the pursuer, especially because of Shakespeare’s acknowledgement of the drastic consequences. Finally, the play offers the idea that for both parties, revenge can be forgiven, which is more satisfactory than any other
In Shakespeare’s play, Hamlet, the characters of Laertes and Hamlet both display impulsive reactions when angered. Once Laertes discovers his father has been murdered, he immediately assumes the slayer is Claudius. As a result of Laertes' speculation, he instinctively moves to avenge Polonius' death. "To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." Act 4 Scene 5 lines 128-134 provide insight into Laertes' mind, displaying his desire for revenge at any cost.
To begin with, Laertes is the most similar foil to Hamlet when it comes to circumstance and rage. They both want revenge for their father’s death, though their method of revenge are different. Laertes is a man of action and wants to get revenge right away after learning that his father Polonius has been killed. In contrast to Laertes, Hamlet does not even make public knowledge of his father’s murder. Laertes doesn’t procrastinate his attempt at revenge like Hamlet. However, he is very shallow and Hamlet is a genius in comparison. Hamlet thinks of ways to plan his revenge against Claudius, though it is his tendency to overthink that leads him to his tragic flaw. He himself realizes that Laertes is put in a similar position to himself. “I’ll be your foil, Laertes: in mine ignorance your skill shall, like a star i’ the darkest night, Stick fiery off indeed” (V.ii.5-7). Rage is another emotion the characters have in common. When Laertes learns of his father’s death, he gets enraged and wants to get revenge instantly. "To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." (Act 4 Scene 5 lines 128-134). Laertes says to Claudius that he will honor his father when he says that he was “in deed his father’s son more than in words” and that he will kill Hamlet. “To cut his throat i’
In modern society humans stand up and fight for what they think is right and fair. Human beings have the desire to avenge what they think is wrong. The theme of revenge has a major effect in the play Hamlet and is a constant throughout the play, it underlies almost every scene. In the play Hamlet, William Shakespeare examines the theme of revenge through the erratic thoughts and actions of the characters Hamlet, Laertes, and Fortinbras. The main revenge plots in the play is Hamlet’s aim to avenge his father, Hamlet Sr, Laertes’ aim to avenge the murder of his father, Polonius, and Fortinbras’ aim to avenge the death of his father, Fortinbras. Having lost their fathers, Hamlet, Laertes and Fortinbras take vengeance on the people that killed them. These plots play a major role in the play presenting the theme of revenge to the audience.
When a parent dies, you need someone to fall back on. This person helps you get through it and make you feel loved. If you do not have someone there to help you through this time, you often turn to other things like acting crazy and wanting to take your own life because you feel as if you are not loved and you want to get rid of the pain. Hamlet loved his father and his death took a big part of his life away from him. His mother, Gertrude, needed to spend time with him, to show him he was loved and someone cared about him. Gertrude was not there for Hamlet the way she should have been, and because of this he began to act like he was crazy. Instead of spending time with her son, Gertrude was busy getting married to the late Kings
If fact, Hamlet waits so long to tell anyone or to do anything about the revenge he swore to his fathers ghost, he begins to question his courage, knowing he has been all talk and no action. Hamlet also decides that before he takes his revenge, he will find out for himself if the ghost is telling the truth. He stages the play and sees in the kings reaction to the similar set of circumstances that he was involved. When the time comes for Hamlet to take action against the King, he agrees to a fencing match with Laertes. Claudius and Laertes conspire to kill Hamlet with poison in his drink and poison on Laertes? sword. Hamlet finally sees his chance for revenge after the Queen drinks the poisoned wine and Laertes and Hamlet are both mortally wounded. Plunging his sword into the King, his uncle, and his father and mother?s murderer wasn?t enough revenge for Hamlet. He gets the poisoned wine and pours it down the King?s throat, before
In his play Hamlet, William Shakespeare frequently utilizes the word “revenge” and images associated with this word in order to illustrate the idea that the pursuit of revenge has caused the downfall of many people. He builds up the idea that revenge causes people to act recklessly through anger rather than reason. In Hamlet, Fortinbras, Laertes and Hamlet all seek to avenge the deaths of their fathers. Hamlet and Laertes manage to avenge their father’s deaths and in doing so, both rely more on their emotions rather than their reasoning, which eventually leads to their downfalls at the end of Hamlet.
In Hamlet, Shakespeare uses revenge as a major theme present throughout the work. Revenge plays a crucial role in the development of Fortinbras, Prince of Norway, Hamlet, Prince of Denmark, and Laertes, son of Polonius. All three men seek revenge for the murder of their fathers. Revenge can be interpreted as a separate character in Hamlet. Revenge is set to overcome anyone who seeks it. Initially, after each of the murders, every son had a definite course of action to obtain vengeance. Or in Hamlet's case the choice was to seek no vengeance. As the play unfolds, each young man approaches the desire for revenge and chooses a different path towards gaining it based on the guidance of another character in
Hamlet, is very private with his grief. His mourning for King Hamlet is long and drawn out, two months after his father's death, he is still observed to be wearing "...suits of solemn black."(I, ii, 82). Hamlet suspects nothing of his father's murder until the ghost of Old King Hamlet speaks to him. Laertes, however, response to the death of his father is immediate. He is suspicious about the death of his father, as is evident in his speech to Claudius. "How came he dead? I'll not be juggled with. To hell, allegiance!"(IV, v, 149-150).
Laertes serves a foil to Hamlet, although they are not similar in birth, they are similar in that they both have a dear father murdered. Using this parallel, Shakespeare uses Laertes to show what Hamlet should be doing, contrasting Laertes’s words of action to Hamlet’s own words of action. We see this most clearly when Laertes is talking with Claudius and he says that he will “cut [Hamlet’s] throat i' th' church” to avenge his father, this contrasts directly with Hamlet who decides not to kill a praying Claudius when he has the chance (4.7.144). Laertes also serves as external conflict as he challenges Hamlet to a fight and is convinced by Claudius to kill Hamlet with a poisoned sword. Without this fight, who knows if Hamlet would have gotten around to kill Claudius? But when we really look at Laertes’ words and consequent action, we see another similarity with Hamlet, both are rash and passionate. This is significant because
Revenge. Revenge causes one to act blindly through anger, rather than through reason. It is based on the principle of an eye for an eye, but this principle is not always an intelligent theory to live by. Young Fortinbras, Laertes, and Hamlet were all looking to avenge the deaths of their fathers. They all acted on emotion, and this led to the downfall of two, and the rise to power of one. Since the Heads of the three major families were each murdered, the eldest sons of these families swore vengeance, and two of the three sons died while exacting their acts of vengeance. Revenge is a major theme in the Tragedy of Hamlet.