How It Feels To Be Colored Me Rhetorical Analysis

During a time where African American literature was fueled with racial segregation and pride in ones race during the Harlem Renaissance, Zora Neale Hurston offers a different and controversial approach with her literary work “How it feels to be colored me”.(13) In the works Hurston uses several colloquialisms, anecdotes, imagery and figurative expression to invite the reader on an adventure filled with pleasure. The poem takes the reader from the beginning of the Hurston’s childhood back in Eatonville, Florida into adulthood in Orlando, Florida. Hurston proves that overcoming racism can be accomplished by uniting the public and ignoring the visual difference in a person’s outer appearance. Hurston’s strength, individuality and resilience scream

Zora Neale Hurston takes readers on an enlightening, delightful journey into her childhood years before she realized that she is colored and beyond. While Zora is the main character in the story, there are plenty of distinctions she shares about Eatonville, its citizens and the later exposure to feeling “most black [when thrown] against a sharp white background” (p.942) while attending Barnard College which had been an all-white college until she walked through the doors. It’s powerful to know that she had confidence and pride to remain true to herself and her race despite all of the hurdles and roadblocks along her life’s path.

Paragraph: Published in during the 1900s, at a time when being colored was considered unbeneficial, “How It Feels to Be Colored Me” depicts Hurston’s audacious (for the time) pride in being an African-American woman. In order to emphasize her thesis, she employs pathos and figurative

Hurston, on the other hand, lived in a town where only blacks lived until she was thirteen years old. Therefore, she only knew the “black” self. There was no second identity to contend with. She states that “white people differed from colored to me only in that they rode through town and never lived there.”2 She does not feel anger when she is discriminated against. She only wonders how anyone can not want to be in her company. She “has no separate feeling about being an American citizen and colored” (Hurston 1712).

Society has always thought of racism as a war given to the lowly African American from the supposedly high class white man, but no one thought there would be prejudice within a hierarchical class system inside the black community. However within that class system, history has shown that darker colored women are at the deep trenches of the totem pole. In the novel, “Their Eyes Were Watching God,” African American women are put under harm and control exposing the racism and sexism with their community. Through the life of Janie Crawford, Zora Neale Hurston portrays the concept of a woman finding her independence in a black, hierarchical, and racist society.

In Zora Neale Hurston’s essay “How It Feels To Be Colored Me”, her racial identity varies based on her location. Towards the beginning of her life when Zora was in her own community she could be a lighthearted, carefree spirit. However, when she was forced to leave her community, Zora’s identity became linked to her race. In this essay I will demonstrate how Zora’s blackness is both a sanctuary and completely worthless.

How It Feels to be Colored Me is an essay by Zora Neale Hurston published in the World Tomorrow on May 1928. In the essay she describes her first experience with racism. The purpose of the piece is to show self-confidents and pride in her identity. She shows the reader the positives of embracing your identity and not letting society affect your true selves. Stating “I’m not ashamed to be colored.” (pg.416), meaning that no matter what anyone saying about her being black, she still has pride in herself.

Even though both Hurston and Hughes grew up around the same time period, they had very different ideals regarding their experience as African American’s as well as a different voice used within their works to convey their ideals. Hurston in her 1928 essay “How it Feels to be Colored Me” describes her childhood and coming of age with a delightful zest that cannot be contained. Although the essay does contain some dark moments such as when she describes her experience with her friend at the jazz club and the sudden realization of the racial difference between her and the other patrons, for the most part the work exudes her keen sense of dignity despite the popular opinion of the masses during that period. Lines in her essay such as “But I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes…I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it” (Abcarian, Klotz, and Cohen 812) beautifully express her sense of self dignity and refusal to give in to the negative energies surrounding her race. Despite the many hardships that the color of her skin caused her she was proud and determined to never let that stand in her way of

One of Hurston’s stories, How it Feels to Be Colored Me, reflects the author’s perspective of the colored race (specifically herself). According to the story, when Hurston reached the age of thirteen, she truly “became colored” (1040). The protagonist was raised in Eatonville, Florida, which was mainly inhabited by the colored race. She noted no difference between herself and the white community except that they never lived in her hometown. Nevertheless, upon leaving Eatonville, the protagonist began losing her identity as “Zora,” instead, she was recognized as only being “a little colored girl” (1041). Hurston’s nickname “Zora” represents her individuality and significance; whereas, the name “a little colored girl” was created by a white society to belittle her race and gender (1041).

t Feels to Be Colored Me by Zora Neale Hurston and A Letter From Birmingham Jail are both extraordinary literary works written about African Americans and the racism they face. Their differences-such as their audience, tone, and message- make both pieces unique. Hurston holds a more positive and prideful tone, unafraid of the repercussions of her words as she uplifted her race. Alternatively, King was more measured, attempting to appeal to his audience: white Americans, and more specifically, clergymen.

In her life and in her writings, Zora Neale Hurston, with the South and its traditions as her backdrop, celebrated the culture of black Americans, Negro love and pride with a feminine perspective that was uncommon and untapped in her time. While Hurston can be considered one of the greats of African-American literature, it’s only recently that interest in her has been revived after decades of neglect (Peacock 335). Sadly, Hurston’s life and Hurston’s writing didn’t receive notoriety until after her death in 1960.

In the short story “Drenched in Light” by Zora Neale Hurston, the author appeals to a broad audience by disguising ethnology and an underlying theme of gender, race, and oppression with an ambiguous tale of a young black girl and the appreciation she receives from white people. Often writing to a double audience, Hurston had a keen ability to appeal to white and black readers in a clever way. “[Hurston] knew her white folks well and performed her minstrel shows tongue in cheek” (Meisenhelder 2). Originally published in The Opportunity in 1924, “Drenched in Light” was Hurston’s first story to a national audience.

In “How it Feels to Be Colored Me” by Zora Neale Hurston, she tells a compelling story of staying true to her identity as she transitioned in childhood from no difference in color to becoming a colored girl while going against the stereotypes of black people. Zora starts off as a thirteen-year-old girl in her hometown Eatonville, Florida where there was no difference in color because it was made up of African Americans with white people just passing through. Zora was a very animated girl who stood out for her quirky characteristics like dancing in the streets. Even though the people in town loved her, Zora was sent away to Jacksonville, Florida due to family complications.

Hurston prides herself on who she is because of her background. Her identity of being a black woman in a world

The essay “How It Feels to Be Me” by Zora Neale Hurston was written to make known her life of a young colored girl who lived in Eatonville, Florida. Zora, who grew up in an almost exclusively black town, had no problem with a person’s race, including her own. As a matter a fact, she preferred being colored. She says “It’s thrilling to think – to know that for any act of mine, I shall get twice as much praise or twice as much blame.” In Zora’s mind, the color of a person’s skin is merely that, nothing else. Towards the end, she elaborates more on her perspective of race. She refers to each race as a colored bag and herself a brown bag. Zora explains that each bag possesses its own content, which represents characteristics