Joy In The Bluest Eye Essay

Women. When hearing that word alone, you think of weakness, their insignificance, and how lowly they are viewed in society. Females can be seen as unworthy or nothing without a man if they are not advocating them and are constantly being treated differently from men. However, in the book, “The Bluest Eye” by Toni Morrison, they live up to their reputations for how they view themselves. Specifically, being focused on women like Pecola, and Claudia. They are often questioning their worth from society’s judgement of beauty. Though one character, Frieda embraces it despite being black. With having everything temporary, the desire of grasping and having something permanent increases. The women desires to be of

Besides the inherent self-confident issue, the outside voice from community is also affecting Pecola’s view. For example, in the “accident” when Pecola went into Junior’s house, Junior killed the cat and impute to Pecola. His mother, Geraldine, saw Pecola was holding the dead cat. Without any thought and didn’t even ask for the truth, Geraldine simply called Pecola a “nastylittle black bitch.” This event, again, reinforces Pecola’s view of what beauty means.

Society continues to rape Pecola through its refusal to acknowledge her as a human being. Since society thinks she is “ugly”, no one needs to care for or love her. For example, one of the biggest insults that her peers use for teasing boys is using Pecola as the insult.

No matter how ugly, mean, pitiful one can be, the family is always meant to support, raise, guide, nurture and be a means of inspiration in anyone’s life. In the novel, this isn’t the case for Pecola, which is why she gets mentally unstable as she couldn’t bear the torture of ugliness of not having blue eyes. Blue eyes are the one and only reason she could blame as per to her ability and thought process. In fact, she doesn’t get the real ugliness of how her father rapes her, the ugliness of how the mother choose the white girl over her, the ugliness of the fights between her parents is coming from their unpleasant past. After all, she doesn’t have that mentor in her life to explain what was happening. Everybody in her family is occupied with their own mindset. She is very young to understand and analyze on her own. The narrator Claudia even gets to compare between her and Pecola and starts accepting life and feel blessed for having a supportive family, which she doesn’t feel until Pecola enters in her life. So, this shows how young kids psychology is totally built upon the type of family environment she/he gets. There is a saying that young kids are like a raw clay ready to be shaped into the different form of objects by the potter. Undoubtedly, it stands so true. Indeed, kids shape themselves according to the type of environment they grow up with. By all means, Pecola’s family is the

As stated before, it is based or should one say inspired by the life of the slave Margaret Garner, who was an African American slave . She attempts to escape in 1856 Kentucky by fleeing to Ohio, which was a free state. A mob of slave owners, planters and overseers arrived to repossess her and her children under the Fugitive Slave Act of 1850, which gave slave owners the right to pursue

Throughout all of history there has been an ideal beauty that most have tried to obtain. But what if that beauty was impossible to grasp because something was holding one back. There was nothing one could do to be ‘beautiful’. Growing up and being convinced that one was ugly, useless, and dirty. For Pecola Breedlove, this state of longing was reality. Blue eyes, blonde hair, and pale white skin was the definition of beauty. Pecola was a black girl with the dream to be beautiful. Toni Morrison takes the reader into the life of a young girl through Morrison’s exceptional novel, The Bluest Eye. The novel displays the battles that Pecola struggles with each and every day. Morrison takes the reader through the themes of whiteness and beauty,

     Beauty is said to be in the eyes of the beholder, but what if the image of beauty is forced into the minds of many? The beauty of a person could be expressed in many different ways, as far as looks and personality goes, but the novel The Bluest Eye begs to differ. It contradicts the principle, because beauty is no longer just a person’s opinion but beauty has been made into an unwritten rule, a standard made by society for society. The most important rule is that in order to be beautiful, girls have to look just like a white doll, with blue eyes, light pink skin, and have blond hair. And if they’re not, they are not beautiful. Pecola, one of community’s ugly children, lives life each day wanting to

In The Bluest Eye, Toni Morrison strongly ties the contents of her novel to its structure and style through the presentation of chapter titles, dialogue, and the use of changing narrators. These structural assets highlight details and themes of the novel while eliciting strong responses and interpretations from readers. The structure of the novel also allows for creative and powerful presentations of information. Morrison is clever in her style, forcing readers to think deeply about the novel’s heavy content without using the structure to allow for vagueness.

Have you ever felt that you must be destined for something greater than what; you are currently doing? Many individuals often suffer from this fear, and that they missed something earlier in their life, and that they are meant to be doing something more productive with their lives. This internal struggle is shared with many characters in The Bluest Eye, written by Toni Morrison. They believe that once they obtain certain spiritual, mental, or physical characteristics that they will be able to depart from their current, nauseating living conditions.

was weight in this case (Stowell). Lastly, one of the main pieces evidence of Claudia’s innocence is illustrated in the summer when Pecola becomes pregnant with her father’s child. Claudia and Frieda want the child to live so they buy marigold seeds, hoping that, if the seeds, grow that they baby will be healthy (Morrison 191-192). When the baby never comes, and the marigolds never grow, Claudia and Frieda believe that somehow this is all their fault, which is another childish mistake. Neither the siblings nor the flowers had any control over the baby’s chances of living. Though the sisters believe they failed Pecola, they avoided her because they thought it was all their fault (Morrison 205). Claudia has a childlike innocence throughout the entire book because

Although Toni Morrison’s The Bluest Eye and Alison Bechdel’s Fun Home demonstrate pronounced differences in setting and design, both novels employ a reflective narration of the past to address common themes of trauma, unorthodox family relationships, and sexuality. Both stories utilize this retrospective narrative to expose masculinity’s stratified hegemony as a driving force of internalized shame, violence, and the death of self. As The Bluest Eye’s Cholly and Fun Home’s Bruce are examined in terms of hegemonic masculinity’s influence, the common themes in both works can be understood as a result of masculinity’s hierarchical ascendency.

It is evident in the novel that Pecola is treated by others as an ‘inconvenience’. She possesses no voice or physical integrity. Other than accepting her ethnic identity as a black girl, she assumes a false identity. She is not happy with her appearance and yearns for blue eyes only – a symbolic of American White beauty. Morrison, here, uses a contrast between Sharley Temple and Pecola. Pecola goes literally crazy by the disparity between her existence and the epitome of beauty set by the dominant White culture. Pecola’s psyche has been deformed by the oppressing White culture. Hence, she rejects her original identity and craves for a false notion of beauty.

In Toni Morrison’s, The Bluest Eye, anger and shame brought the downfall of many of the characters in the novel. There are many costs of anger and shame to a person. Anger can lead to hatred, which can then turn into violence. Cholly Breedlove was angry at himself and his family for not being able to the “man” in the family. His anger turned into self-loathing, which then made him to violent and horrible things to his family members. Shame can make a person hate themselves, and then start to find solace in other people’s happiness rather than their own. Pauline Breedlove was ashamed at her own family because they were dirty and poor. Her husband was a drunkard, her two daughters were burdens, and her perspective of herself was of hatred. The costs of anger and shame brought the downfall of many of the characters in the novel.

     Toni Morrison the first black woman to receive the Nobel Prize in Literature, was born Chloe Anthony Wofford on February 18, 1931 in Lorain, Ohio. She was the second of four children to George and Ramah Wofford. Her parents moved to Ohio from the South to escape racism and to find better opportunities in the North.

In The Bluest Eye, Toni Morrison shows that one’s family determines a character’s feeling of self-worth. According to Morrison, the world is teaching little black girls that they are not beautiful and unworthy of love. The world teaches this by depicting white people and objects that resemble them, as symbols of beauty. In this world, to be worthy of love you must be beautiful. Morrison shows that if a little black girl believes what the world is telling her, her self-esteem can develop low self-esteem and they may yearn to be white. Even in the absence of economic and racial privilege, Morrison suggests that a little black girl can look to her family to build up her self-esteem. For Morrison, having a family is