Relational Concepts And Practice Of Relational Aesthetics Essay

Art galleries are essential to the art world, however, is not the only source for audiences to view art. To begin with, art and artwork is defined as the application of human skill, creativity and imagination. Taking this into consideration, individuals need to examine the nature and purpose of art galleries as a facility to collaborate, organize and display a collection of artworks. As art however, is any expression of human creativity, its presence is not bound to art galleries and is evidently present in the world around us be it in photographs, the internet or even in graffiti.

In art, there are qualities that speak louder than words. It expresses many different messages and emotions and each person has an experience different from the next. In this paper, I will be discussing two artworks I encountered. The piece is a good example of how people can encounter different experiences in one piece. I attended the Orlando Museum of Art a while back with family and overall enjoyed my experience. On my visit, I found the museum quite impressive and felt a deep connection with specific pieces.

Beauty is an incredibly subjective thing; what might seem appealing to one’s eyes may be horrendously ugly in the eyes of another. However, the status of “beautiful” or “ugly” can be assigned rather objectively when art is examined from the perspectives of different philosophies. The beliefs and values of different philosophies can be used to find meaning and beauty in various art forms, allowing for a more straightforward determination of beauty. Because of the many layers of meaning most paintings entail, they are a perfect example of an art form that can be analyzed by numerous philosophical viewpoints to find meaning and beauty, and Ma Yuan’s painting Walking on a Mountain Path in Spring, which comes from the Song dynasty of Chinese and depicts a sole figure standing in a natural surrounding, is no exception. Ma Yuan’s painting is beautiful because it represents the ultimate achievements for the Buddhist, Daoist, and Confucian philosophies.

The study conducted was an experimental study. In this study, an independent variable was manipulated and a dependent variable was measured making it an experiment. A correlational study is where you compare the connection between to variables which did not take place in this study. One group was given the drug and the other was given the placebo. Researchers took note of how the patients given the drug reacted. A hypothesis is a testable prediction of what can happen under specific circumstances. In this study, the hypothesis was: If a group with a stuttering problem is given a certain drug that stimulates parts in the frontal lobe, then the people in the group will experience the ability to speak better. The independent variable in the study

The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.

Utopia is defined as “an imagined place or state in which everything is perfect”. Danie Mellor and Cia Guo Qiang, both explore this idea of transformation through landscape, culture and country, employing symbols, narratives, traditions and materials to convey their own ideas on Utopia. To persuade you in this decision the deconstructing of the artwork, artists, compositional features and the individual meaning of the artwork and why this fits into the theme of the exhibition will be discussed.

From Japanese pop art to the black shapes of toxic clouds, Brisbane’s Gallery of Modern Art and the Queensland Art Gallery situated in Southbank, have it all. Even though, perhaps, there are some distinctly interesting art pieces which are currently displayed in these two galleries. These galleries exhibit a wide display of different genre of art ranging from film to installations and back to sculptures which show the concept of Identity- the Human Condition, but none quite so than the Contemporary Asian Art Exhibition and the Creative Generation Exhibition.

Within the field of the visual arts, I investigated how the techniques and implications of the artworks of Ai Weiwei and Banksy are comparable. In order to answer this question, I observed and analyzed artworks from both artists, noting the pieces’ effects on the viewer (me), similar visual qualities, and common themes. This process included visiting museums, looking at artwork online, and reading about the contexts of the pieces. I found that Banksy and Ai Weiwei both employ the technique of symbolism in their artworks in order to raise awareness regarding contemporary

The aim of this essay is to review the text “Two Cures: Making Art Visible”, by Boris Groys. In this review I aim to discuss the subject of the text, how the text has been presented, the themes within it, and finally assess and investigate the arguments put forward by Groys, on closed spaces versus open spaces, or more specifically the relationship between works of art being displayed in the traditional manner, of the galleries and museums and other institutions, and works of art been distributed by means of such devises as, mass media and the internet. I will be using the artists Robert Smithson and his site specific art pieces, and Duncan Campbell’s film “Make it new John”, to help relate to the topic being debated in Groy’s text, in order

There has been some recent argument against the current understanding of the place of relationships in psychotherapy. While most theories argue that relationships are important or even essential to good mental health, other theorists claim that the way relationships are conceptualized in these theories is insufficient (Slife & Wiggins, 2009). Most of these theories conceptualize the individuals first, and then talk about the way these individuals relate. Relationships are often understood as two or more independent self-contained individuals interacting (Slife & Wiggins, 2009). An alternative way to look at relationships is offered by relational psychoanalysts and other theorists, though again it should be noted that

In 2015, the Metropolitan Museum held an art exhibition called China: Through the Looking Glass. This exhibition focused on how western fashion has been influenced by Chinese aesthetics, and how many inspirations Chinese culture has fueled the fashionable imagination over the centuries. It covered aspects from traditional arts such as clothing design, painting and porcelain to modern arts like fashion, fine art and filmmaking. The exhibition

George Dickie and I on the Aesthetic Attitude Does the term “aesthetic attitude” have a true definition, or is it just a crafted myth charged with freeing the Aesthetic theory from an obsessive concern with beauty? Is the idea of the aesthetic attitude a misleading way of understanding the aesthetic experience? George Dickie tackles these tough questions in his critique of the aesthetic attitude titled, “The Myth of Aesthetic Attitude” (which will from now on be referred to as TMAA). In this essay I will discuss Dickies critique of the aesthetic attitude. In the first half I will consider the three main ways Dickie characterizes the aesthetic attitude and explain why he considers it to be a myth.

“Places where art really flourishes are those where there are urgent issues that art needs to deal with. ” (Ho, 2005). In this statement, we immediately gather that art isn’t only utilised for the purpose of leisure or entertainment, however inspiration comes from minor things in our surroundings which become greater things in retrospect. Art holds a much deeper and meaningful message, and is often used to reach out to the masses. Common examples are propaganda and protest. In the midst of this identity crisis, Tsou Choi Tsang, a street graffiti artist’s work is of great significance today. The sudden surge of interes in Tsang’s work can be explained by its connection to Hong Kong’s society; the process of creating culture, rather than preserving it. Due to the political and social factors in Hong Kong’s society today, Tsang’s work is perpetually relevant. His work highlights the themes of property ownership, post-colonialism, power, and territoriality. Even 17 years after the handover back to China, and 7 years after Tsou Choi Tsang’s death, his work is still powerful and influential as it covers topics which several locals can relate to.

In this world, to live a life, everybody needs someone to always be there by their side. It is not possible to stay alone and be happy at the same time. We can lower our pain by sharing it, or increase our happiness if we can share our happiness with others. People stand with us, share our feelings, bond with us and become a part of our life. We can’t imagine the life without the people who matter the most to us. Some we meet with the needs, some meet with destiny and some stays from the very first day of our life. These connections and commitment of being there make relationships. There is different steps, ways and views of every relation. Trust, love and respect are three different ways to show the importance of our relationship.

Life consists of constant cycles of spontaneous outbursts of joy and unexpected disappointments; there is an upside to this repetitive tug of war. On this rock we call home, we are surrounded by the most gorgeous creations, structures, and landscapes that add a touch of serenity to our miserable existences called aesthetics. Aesthetics as an adjective is defined as concern with beauty of the appreciation of beauty. As a noun it means a set of principles underlying and guiding the work of a particular artist or artistic movement. The surrounding beauty that we take for continuous granted is significant towards our existence. In everyday interaction, we straddle the line between aesthetic judgement, where we appreciate any object, instead