Story Of An Hour Figurative Language

Throughout the story, Chopin adds bits of foreshadowing to hint at the demise of Mrs. Mallard. On the opening page of the story, the first sentence states, “Knowing Mrs. Mallard was afflicted with heart trouble, great care was taken to break her...husband's death” (6). This sentence leads the reader to believe that Mrs. Mallard is already gravely ill. On the final page of the story, Mrs. Mallard argues with her sister, Josephine, who fears that Mrs. Mallard is making herself sick from heartbreak. Mrs. Mallard shouts, “Go away. I am not making myself ill” (8). This foreshadows that she is already making herself sick.

When Mrs. Mallard was looking out of the window all of the outside world seemed to be coming to her indirectly in a way that it reached her faintly and not all at once just like the emotions of her freedom had did. “She could see in the open square before her house the tops of trees that were all aquiver with the new spring life” (Chopin 476).Mrs. Mallard was not looking at the trees themselves she was looking past them and looking forward to what was ahead of the trees and not what the weather was like at the current moment. This I believe is how she unwarily started to come by her emotions by not focusing on the now but rather on the future without her husband just like she was looking forward on to the spring, such as “But she saw beyond that bitter moment a

I n the Story of an Hour, Kate Chopin gives us the feeling that Mrs. Mallard is unhappy in the by telling us “she was presses down by physical exhaustion that haunted her body and seemed to reach into her soul” (227). We learn right off that Mrs. Mallard has a heart condition and should be treated tenderly. When she heard the news of her husbands death, she was at first upset and distraught. She did not begin to feel better until she had time to sit and think, with “the delicious breath of rain was in the air” (227). Mrs. Mallard felt lonely and did not know what to do with herself anymore. She realized that there would no longer be someone there with her to be there when her life expired. She often had the feeling that life was too long and that the end would never come for her. That was a sign that Mrs. Mallard was a lonely and isolated woman. She was sitting there in the chair when it came to her in a sudden rush. That she is “Free! Body and soul free” (228). Mrs. Mallard knew then that life was not short after all. Life was short and she should live it to the fullest. She is now free to do as she pleases. Mrs. Mallard has a feeling of freedom, freedom form the loneliness and isolation that she has felt for a very long time. She is now free to be herself

These thoughts were a bit suspicious and frightful to acknowledge. As Mrs. Mallard sits next to her window she begins to contemplate what feelings are emerging from her, “There was something coming to her and she was wanting for, fearfully. What was it? She did not know; it was too subtle and elusive to name” (Chopin 653). This depicts the anticipation of change that is about to come into her life. Chopin describes it not as a physical object, but something she internally knows when it fact it blossoms into a new realization. With all these perplexed emotions she encounters from looking out the window to “patches of blue sky showing here and there through the clouds” (Chopin 653), these thoughts become the factor of releasing herself from her forbearing attitude into the new impression of individualism and

Setting in a story can create certain moods, influence the way we feel about a character, and change the reader's perceptions. “The Story of An Hour” by Kate Chopin is a short story about a woman named Mrs. Mallard, who learns of her husband’s death. This tragic news causes a range of emotions and internal conflict for the main character. The century, season, and room, in which the story takes place, prepares readers for the overflowing emotions and gives clarity to the character’s frame of mind. Kate Chopin uses the setting to help set the structure of the story.

Richard was too late. “…She had died of heart disease- of joy that kills.” (Chopin, 58) In the short story “The Story of an Hour”, Kate Chopin tells a story of women confined in a repressive marriage and uses a literary element called foreshadowing to add suspense or tension in the story and hints about things that will occur later in the story. Literary devices include imagery, foreshadowing, plot, setting, and point of view. The combination of these literary devices allows authors to effectively convey what message will be in the story. The literary device called Foreshadowing plays a significant role in the short story as well as other literary devices such as imagery and symbolism which combine and create a unique way of how the story unfolds.

The story settings of Chopin and Poe help to show how repression alters the mind. In Chopin’s, “The Story of an Hour,” setting is used to show how Mrs. Mallard’s repressed state of mind begins to flower and grow after she learns of her husband’s death. It is not upon first reading, but second reading, that most start to interpret the settings around Mrs. Mallard while she sits in her bedroom. Chopin writes, “She could see [……] tops of trees that were all aquiver with the new spring life.” It is, as she sits at the window, that she becomes aware that she is free of her husband. Spring is the season of new growth and awakening of animal life. Chopin also writes about how patches of blue sky appear out of the “clouds that had met and piled one above the other.” These two descriptions help the reader see what is, perhaps, going on in her mind. The setting in which Chopin put Ms. Mallard in helps speak

When she goes in her room alone, she unveils her true emotions. The setting shows comfort and indicates that she feels safe. The "open window" symbolises her new beginning and she fills her mind with fantasies of freedom. "She would have no one follow her" indicates that she had only her room to retreat to and it is from this place that she is able to look out at the world. The metaphor "delicious breath of rain", the "peddler", "a distant song" and the sparrows are all symbolical of spring which represents new hope for a better life for Mrs Mallard.

Mallard’s suppressed self that she has endured in the formalities of her life (1). Chopin continues to express how afflicted Mrs. Mallard is with her struggle to come to terms with her current state of emotions and her vision of self by describing Mrs. Mallard’s “dull eyes, whose gaze was fixed away off yonder on one of those patches of blue sky.” While Chopin depicts Mrs. Mallard’s glance as not being one of reflection “but rather indicated a suspension of intelligent thought,” it can be inferred that Mrs. Mallard is processing her self-being not on a rational level but more on her emotional stimuli.

Although she tried to deny the emotion approaching her, when Louise looks out the open window she experiences a feeling of liberation. Chopin describes the liberation of the window by saying, “she could see in the open square before her house the tops of trees that were all aquiver with the new spring life” (236). While looking outside of the window, Mrs. Mallard relates to nature’s new spring life as she now experiences new emotions of freedom from her marriage. Since Mr. Mallard’s death ends the confinement Mrs. Mallard feels, the open window demonstrates her now free, open life full of new opportunities. As Wimmer states in his article, “this 'openness,' then, is really itself a symbol of the boundless possibilities Louise can experience with her newfound independence.” She realizes she can live her

The last example occurs during and after Mrs. Mallard watches the “tops of trees that were all aquiver with the new spring life” (Chopin 1). This shows that the character’s image of the world is already changed since she was informed of her husband’s death. In the twelfth paragraph, Chopin uses her character’s new perspective of the world to exemplify the confinement women felt. The character understood she had “no one to live for during those coming years; she would live for herself” (Chopin 2). Mrs. Mallard’s thoughts revolve around her limitations during marriage. She soon realizes that she would have “no powerful will bending hers” (Chopin 2). Mrs. Mallard was likely controlled her entire marriage; and now she is released from her husband’s dominance. Before opening the door for her sister, she was thinking about “all sorts of days that would be her own” (Chopin 2). The character looked forward to her new life ahead of her because of the new freedom she has gained; she thought about the future that involved her freedom from marriage. Mrs. Mallard eventually says a prayer to herself

The Story of an Hour by Kate Chopin is a short yet complex story, describing Mrs Mallard’s feelings. It focuses on the unfolding emotional state of Mrs Mallard after the news of her husbands death, and has overflowing symbolism and imagery. It is an impressive literary piece that touches the readers’ feelings and mind and allows the reader to have a connection to Mrs Mallard’s emotional process. Although the story is short, it is complete with each word carrying deep sense and meaning. It is written in the 19th century, a time that had highly restrictive gender roles that forbade women to live as they saw fit. Mrs Mallard experiences something not everyone during this time has the luck to have; the happiness of freedom that the reader only

Chopin tells the story through the narrator's voice. The narrator isn’t a spectator, however. The narrator, for example, knows that Mrs. Mallard, did not love her husband (paragraph 15). It is made clear that the narrator, knew more than what could be easily noticed by the reader. Chopin, never informs the reader what Mrs. Mallard is feeling. Instead, as the reader one is forced to observe all Mrs. Mallard's words and actions to understand how Mrs. Mallard feels.

Mrs. Mallard suffers from a heart condition; thus, her sister Josephine gently and carefully breaks the news of Mr. Mallard’s death. Richards, a close friend of Mr. Mallard, is the first to discover the news of Mr. Mallard’s railroad tragedy. When hearing the news, Mrs. Mallard collapses in grief into her sister’s arms and retreats upstairs into her room. While her sister begs Mrs. Mallard to open the door, Mrs. Mallard reflects on her feelings. She sinks into an armchair facing an open window noticing the “new spring life, the delicious breath of rain in the air, the peddler in the street crying his ware, the notes of a distant song which someone was singing and countless sparrows twittering in the eaves” (Chopin 556). This signifies a new blossoming life: a life that she would live for herself. Although her husband is loving, and she knows that she will weep again when she sees his dead body, she realizes how confined marriage is for her. Robert Evans, author of “Literary Contexts in Short Stories: Kate Chopin's “‘The Story of an Hour,’” claims that Mrs. Mallard looks forward to a bright future rather than a dreadful life. She becomes aware that she must live alone rather than being imprisoned by marriage. As these thoughts circulate in her mind, she keeps whispering, “Free! Body and soul free!” (Chopin 557).By conveying the story through Mrs. Mallard’s thoughts, Chopin portrays how women actually feel compared to what they present in society. While Josephine and society expect Mrs. Mallard to be grieving, Mrs. Mallard is actually looking forward to the days ahead of her: “Spring days, and summer days, and all sorts of days that would be her own” (Chopin 557). When Mrs. Mallard discovers that the news of her husband’s death was inaccurate, Mrs. Mallard dies from a heart attack after seeing her husband alive. The

There are myriad levels of symbolism which Chopin invokes in order to express the principle theme of this work. The very fact that the protagonist of the story, Mrs. Mallard, learns that her husband has died symbolizes the fact that she is now free from his will and influence upon her life. However, Chopin chooses to express this notion most efficaciously by expressing Mrs. Mallard's newfound liberty or what she believes is her newfound liberty through the symbolism of spring, as the