Their Eyes Were Watching God Essay

When Janie is about sixteen her grandmother finds her in the act of kissing a boy, and afraid for Janie, she arranges for Janie to be married to Logan Killicks, who is an older man with vast property to his name. Nanny, as Janie calls her, is unable to wrap her mind around the idea of marrying for love and mocks Janie saying, "So you don't want to marry off decent like, do yuh? You just wants to hug and kiss and feel around with first one man and then another, huh?" (Their Eyes Are Watching God, 13). Her grandmothers’ gift of life is different from the life that Janie wants to live. She tells Janie, “De nigger woman is de mule uh de world so fur as Ah can see.'” (Their Eyes Are Watching God, 11). Nanny doesn’t believe that trying to find love and make a better life for you will succeed, she tells Janie that marrying and older man with land to his name will bring security, and she shouldn’t want more than that. Because of this Janie agrees and goes along with the plan. She is depicted as very compliant and rarely speaks her mind, even saying “But Ah hates disagreement and confusion, so Ah better not talk. It makes it hard tuh git along” (Their Eyes Were Watching God, 90).

Symbols in literary works can express an idea, clarify meaning, or enlarge literal meaning. Symbols can appear in a novel as an event, action, or object. In Their Eyes Were Watching God, the author, Zora Neale Hurston, uses the symbols of the gate to show Janie’s transitions to womanhood, independence from oppression, and realization of what love is to Janie.

She ended up living a life full of manipulation and mediocrity. While living with Joe, she had to tend to many different tasks as his wife.  She wasn't independent with him either.  She was Joe's tag-a-long.  'She went through many silent rebellions over things like that.  Such a waste of life and time.  But Joe kept saying that she could do it if she wanted to and he wanted her to use her privileges.  That was the rock she was battered against.' (Hurston, 51)  Janie always had to wear her hair a certain way, always up in a head rag, in order not to attract attention to other men and women. She was always in a state of loneliness with herself.  While married to Janie, he would not allow her to attend the people's gatherings believing that she does not belong to such a group of lower class people.  Joe was depriving Janie of her independence and sanity.  "Naw, Ah ain't no young gal no mo' but den Ah ain't no old woman either.  Ah reckon Ah looks mah age too.  But Ah'm us woman every inch of me, and Ah know it.  Dat's uh whole lot more'n you kin say.  You big-bellies round here and put out a lot of brag, but 'tain't nothin' to it but yo' big voice.  Humph!  Talkin' 'bout me lookin' old!  When you pull down yo' britches, you look lak de change uh life." (Hurston, 75)  This quote spoken by Janie proves that she was getting sick and tired of being pushed around by Joe and his stuck-up ways.  This was a slow

Honey, de white man is de ruler of everything as fur as Ah been able tub find out. Maybe it's some place off in de ocean where de black man is in power, but we don't know nothin' but we see. So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so far as Ah can see.

Janie’s Grandma plays an important outward influence from the very beginning. Her perspective on life was based off of her experience as a slave. “Ah was born back due in slavery so it wasn’t for me to fulfill my dreams of whut a woman oughta be and to do.” (16) She felt that financial security,

Janie was raised by her grandmother who she calls Nanny that had previously lived the life as a slave. The young sixteen year old girl was brought to us as a product of

Janie’s outward appearance and her inward thoughts contrast following Joe’s death. She finally frees herself from his control only after he dies as she, “…tore off the kerchief…and let down her plentiful hair” (87). In freeing her hair, Janie begins to free herself from others’ control and social norms. However, she chooses to keep it tied up until after Jody’s funeral in order to keep appearances that she is grieving his passing in front of the townspeople. However, on the inside, Janie doesn’t really feel any sorrow and “sent her face to Joe’s funeral, and herself went rollicking with the springtime across the world” (88). It is only after Joe’s elaborate funeral that Janie shows her first act of freedom by burning “every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (89). She chose to let her hair be free from his domination, thus freeing herself from him overall and allowing herself to move onto the next journey in her life.

All through the novel Janie travels through valuable life experiences allowing her to grow as a woman. Janie at first has a difficult time understanding her needs rather than wants, but as she continues to experience new situations she realizes she values respect. Janie’s first two marriages turned out to be tragic mistakes, but with each marriage Janie gained something valuable. When Janie is disrespected in her second marriage with Joe Starks, he publicly humiliates her, disrespecting her as a wife and woman. This experience forced Janie to come out of her comfort zone and stand up for herself.

     The plan for Janie’s future begins with her lack of having real parents. Hurston builds up a foundation for Janie that is bound to fall like a Roman Empire. Janie’s grandmother, whom she refers to as “Nanny” takes the position as Janie’s guardian. The problem begins here for Janie because her Nanny not only spoils her, but also makes life choices for her. Nanny is old, and she only wants the best for her grandchild, for she knows that the world is a cruel place. Nanny makes the mistake of not allowing Janie to learn anything on her own. When Janie was sixteen years old, Nanny wanted to see her get married. Although Janie argued at first, Nanny insisted that Janie get married. “’Yeah, Janie, youse got yo’ womanhood on yuh… Ah wants to see you married right away.’” (Page 12). Janie was not given a choice in this decision. Her Nanny even had a suitor picked out for her. Janie told herself that she would try to make the best of the situation and attempt to find love in her marriage to Logan Killicks. But, as time went by, Janie realized that she still did not have any feelings of what she had considered to be love in her husband.

Nevertheless, Janie is not afraid to follow her instincts, even when this means leaving her first husband to marry her second - without a divorce. "Janie hurried out of the front gate and turned south. Even if Joe was not there waiting for her, the change was bound to do her good" (Their Eyes 31). The gossip that spreads throughout her small town when she leaves with a younger man - after the death of her second husband leaves her a widow - does not slow her down in the least.

Love and Marriage      Their Eyes Were Watching God by Zora Neale Hurston is a novel about a Southern black woman and her experiences through life. Janie, the main character, is forced at a young age by her grandmother, into an arranged marriage with a man named Logan. Janie is told to learn to love Logan, but the love never comes for Logan in Janie's heart so she leaves him. She meets a man named Joe. Soon after they are married.

Janie's quest is for self-discovery and self-definition, but she encounters many obstacles while trying to win this quest.

Nanny urges Janie to adhere to the requirements of a woman with the role of a family maker including cooking, cleaning, and bearing children. Hurston bluntly states Nanny’s views upon the role of women in her simile of a mule. There black women are below everyone else on the totem pole including black men and whites.

Another example, where Janie struggles to find her voice is with her second husband Jody Starts, a man who starves for power and the mayor of Eatonville. Jody rarely allows Janie to speak her mind, participate in social

Erzulie is the goddess that represents the ideality of love and the sanctity of motherhood. She is the female representation of strength and creativity. She tells of woman’s ability to endure and survive adverse circumstances and she tells of their immense determination. Janie takes control of her situation as she finally calls Joe out. In front of the townspeople Janie tells Joe how ugly and controlling he is. Because of this strength and determination to humiliate Joe, Janie endures a harsh beating from him. Through this, however, she does not break down. Their marriage breaks down, but Janie keeps her dreams in focus. Instead, Joe begins to break down with their marriage and he becomes deathly sick. Erzulie has certainly captivated Janie as even on Joe’s deathbed she continues to chastise him for the way he treated her. She is no longer submissive or passive. Her strength has reached out and Erzulie has given her the power to stand up for herself. Because Hurston embodies Janie with the power of Erzulie, she creates a new African-American character. This is one that is heroic and one who masters her world and claims her place within it. This is how Janie most compares with the female goddess Erzulie.