To many of Hurston’s peers, creating art during the Harlem Renaissance meant concentrating on the black experience and struggle with the Great Migration, which was “the movement of millions of black Americans from the rural South to the urban North” (Woolflm 1). Many of the migrants left their families and homes to escape the danger and violence pledged by white supremacists and typically a universal need to escape a “land soaked in much bad blood” (Woolflm 1) or to find work and opportunities in an increasingly industrialized urban setting. Hurston instead, saw black culture, in all its “geographical incarnations as persistently emerging and reinventing itself” (Robert 1). Therefore, when Janie spends the majority of Their Eyes Were Watching
In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus
Throughout the novel Their Eyes Were Watching God, by Zora Neale Hurston, there is an ongoing story of how Janie, the main character, grows up and deals with the many challenges life throws at her in her quest for her “Horizons”. A horizon is a metaphor for one’s ambitions, hopes and dreams. To be truly happy, one must conceive their own horizons, explore them and embrace them. Janie’s “horizons” evolve throughout the novel, starting as limited and socially determined, moving towards being expansive, individualized, and fully realized.
Throughout life, everybody makes sacrifices that may become more beneficial to him or in ways they could not foresee. A sacrifice may be simply giving up an object or giving up something deeper in meaning. Their Eyes Were Watching God is a prime example of a book that reflects this theme. In Their Eyes Were Watching God by Zora Neale Hurston, the main character, Janie, struggles to figure out her identity and what she desires in life. As she matures in her relationships and in life, she learns to make sacrifices in order to seek what she really needs. In Their Eyes Were Watching God, Hurston illuminates Janie’s values and the text’s emphasis on self-actualization is demonstrated through Janie leaving stability with Logan to marry Joe,
Janie and Nanny’s views on marriage are completely different. Nanny was born during slavery and has seen firsthand the struggle of black women. She wants Janie to live a semi privileged life with a man that can provide for her. She is not concerned with age or love. “De black woman is de mule of de world as far as Ah can see” (Hurston; 1.14). Janie is young and in love with the idea of love and marriage. She has lived a privileged life with minimal worries and does not understand the importance of a man in her life. “Did marriage end the cosmic loneliness of the unmated? Did marriage compel love like the sun the day? (page 21) After her three marriages, Janie believes that love is more important than a big house and
Zora Neale Hurston’s novel Their Eyes Were Watching God recounts the life and loves of a bi-racial woman in the racially charged South during the 1900s. After the death of her third husband, Janie returns to Eatonville amid judgment and gossip, prompting her to share her life’s lessons with dear friend Phoeby. As Hurston’s protagonist relives her turbulent loves, she embarks of a journey of self-discovery, her voice transforming from suppressed to empowered over the course of her marriages.
Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.
In the late nineteenth century, the New Woman time period emerged after World War I. Women began to cast away the domestic stereotypes and they became “independent [women] who [sought] achievement and self-fulfillment beyond the realm of marriage and family” (Miller 1). Straying away from the typical image of women staying and maintaining the home, women started attending universities, receiving professional jobs, and becoming involved in politics (1). The transition of women from the domestic sphere to the public sphere is a notion Zora Neale Hurston uses in Their Eyes Were Watching God. Hurston’s use of dominant characters in society reveals her theme that experiences and relationships are the roots of finding independence and identity despite the obscurity caused by sexism.
The struggle for women to have their own voice has been an ongoing battle. However, the struggle for African American women to have their own voice and independence has been an ongoing conflict. In Zora Neale Hurston’s novel Their Eyes Were Watching God Janie struggles a majority of her life discovering her own voice by challenging many traditional roles that are set by society during this time. Hongzhi Wu, the author of “Mules and Women: Identify and Rebel—Janie’s Identity Quest in ‘Their Eyes Were Watching God,’” recognizes the trend of African American women being suppressed by making a comparison between animals throughout the novel and Janie. Wu argues that there are ultimately two depictions of the mule that the reader remembers and compares both of these interpretations to Janie’s transformation throughout the novel. While Wu’s argument is sound in the fact that it recognizes certain stereotypes African American women faced during this time, Wu fails to recognize Janie’s sexuality in depth as her major push away from the animalistic pressures she has faced.
In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).
In Zora Neale Hurston’s novel, Their eyes were watching God the main character Janie is on a quest for self-fulfillment. Of Janie’s three marriages, Logan and Joe provide her with a sense of security and status. However, only her union with Teacake flourishes into true love.
Janie Crawford from Their Eyes Were Watching God by Zora Neale Hurston, and Hester Prynne from The Scarlet Letter by Nathaniel Hawthorne, were both two women who lived in America during two different time periods, with contrasting backgrounds and beliefs. Hester Prynne, a Puritan who came from England to Boston in the 1600’s, and Janie Crawford, a woman of color living in the deep South in an all Black community post civil war. Janie and Hester are both two outliers in their communities, and were both harassed when there actions differed from the others around them, yet neither of them rebelled and emerged above everyone else in the end.
“’…but she don’t seem to mind at all. Reckon dey understand one ‘nother.’” A woman’s search for her own free will to escape the chains of other people in Zora Neale Hurston’s Their Eyes Were Watching God.
In 1937, Zora Neale Hurston spent seven weeks in Haiti writing what would become her most well-known and acknowledged piece of work. Their Eyes Were Watching God was born on September 18th, 1937, in New York. The novel told a hopeful tale of a woman finding a secure sense of independence and identity in the 1920s. Janie Mae Crawford is the protagonist of the novel. She knows family only in the form of her grandmother, who she refers to as Nanny. Each relationship that Janie is involved in blooms and withers away like the pear tree that symbolizes Janie's life.
In the novel, Their Eyes Were Watching God by Zora Neale Hurston, Janie Mae Crawford deals with her loss of self and rediscovering herself through symbols that describe each of her relationships. After Janie discovers what she thinks love is, she undergoes three marriages that define her idea of love through the way her husbands treat her and the recurring symbols that appear in each one. These relationships range from passionless to abusive to positive and inseparable. The symbols act as either a help or a hindrance to her journey of realizing what love is. As Janie journeys to find herself, the pear tree, the gate, her hair, and her voice symbolize each of her relationships and the things she learns about herself as she discovers what authentic love and autonomy truly means.
In the society and world we live in we all want to be accepted and feel like we belong. Zora Neale Hurston goes through trials and tribulations as being a twenty-century African American such as slavery and feeling like she belongs. Imagine every time you think you are finally happy with whom you are and it turns out that wasn’t the case. In Their Eyes Were Watching God Janie embarks on journey in search for her own identity where each of her three husbands plays an important role in her discovery of who she is.