The assumed response to this is for the audience to really pay attention to what these celebrities are saying throughout the movie, as it is crucial to grasp an understanding for this type of financial terminology, as it leads the story. While both texts display a distinct stylistic approach, it is evident that Inside Job and The Big Short show similar ideas and perspectives regarding the causes and impacts of the global financial crisis.
Both directors for each text apply similar narration techniques between the two, however, the context itself is portrayed in a distinct way. Seeing that The Big Short is classified as a nonfictional film, it is not considered to be a typical feature long film, instead, it features similar ideas in terms
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Here’s world famous chef, Anthony Bourdain to explain.” (The Big Short, 2015). This is then followed by a high-profile celebrity, Anthony Bourdain to explain Collateralized Debt Obligations, as Gosling highlighted it is important to understand. Nonetheless, this breaking the fourth wall aspect in a sense can be viewed as a documentary, similar to Inside Job, however, McKay uses a unique style of portraying The Big Short in a quirky and comedic way, instead of the regular stylistic approach that is seen in Inside Job. Contrastingly, Inside Job consisted of one narrator, Matt Damon. This text follows the traditional style of storytelling through voice-over narration. What is significantly different from narration in The Big Short, is that in Inside Job, the narrator informs the audience in such a formal way, they’re almost expected to understand all the financial terminology described in this text, such as CDO (Collateralized Debt Obligation), Credit Default Swaps and ‘AAA’ rating. Moreover, everything Matt Damon states throughout the documentary is accompanied and backed up by multiple clips of footage which are overlaid. For instance, when the narrator discusses that unemployment levels in Iceland are tripling in just under six months, the camera executes numerous quick long shots of dormant buildings and work sites. Furthermore, as narration
Texts cannot exist outside their context; texts implicitly and explicitly embody the values of the society of which they are written. Both The Catcher in the Rye and Donnie Darko depict the societal norms of the period the texts were set in. However, Salinger’s novel and Kelly’s film both portray the protagonist of their text to be classified an outsider; subverting norms and rebelling against those in power. Catcher in the Rye, a bildungsroman masterpiece is set in the late 1940’s in America, and consequently, focuses on the contextual ideology of the American Dream. Donnie Darko a sci.fi film made in 2001 however, is set in a period of conservatism in America in the late 1980’s. Despite, differing contexts, both pieces accurately explore the beneficial and dire implications associated with transgressing social conventions.
Overview of the what the film is about (no more than 1 or 2 sentences) and the context of the film (2-3sentences)
The theme of The Outsiders is that everyone can rise above what others expect from them. This is relevant throughout the book when Johnny and Ponyboy save the kids from the burning church, when Randy doesn't want to fight or hate the Greasers anymore, and when Johnny stands up for Cherry and Marcia.
In the book, The Outsiders a character, Johnny Cade starts off by his character traits being afraid, but throughout the novel, Johnny turns into an upstander person who had the courage to conquer a person from the Socs gang because they were threatening him with drowning his good friend, Ponyboy. Johnny’s friendship with Ponyboy was close but in the end, Johnny didn’t necessarily change that much despite his actions but, Ponyboy’s understandings of him improved in a good way.
The movie takes place in the early 1990’s, when Jordan Belfort partners with Donny Azoff to start his brokerage firm, Stratford-Oakmont. After the introduction given by Jordan, we follow his life from the time that he is 22 years old when he had just started on wall street, all the way to the time of his arrest. Throughout the movie, you can see Jordan’s narcissistic personality aid him in his rise to the top and eventually lead to his fall.
In the movie Silver Linings Playbook, Bradley Cooper plays the main character Pat Solitano Jr. The movie starts off with Pat being released from a psychiatric facility. Pat’s time spent in the psychiatric facility was a plea bargain that his lawyer advised him to make. The court only mandated eight months of inpatient time, and against the will of the doctors in the facility, his mother is discharging him because she thinks that eight months is sufficient time for Pat to become well. On the drive home Pat wants to stop at the library so he can pick up a copy of all the books that his ex-wife Nikki has on her high school teaching syllabus, so that he can connect with her and get his job back. When they get back to his parent’s house it
Fracis Ford Coppola’s “The Outsiders” (1983) is an adaptation of the novel of the same name by E.Hinton published in 1967. There are many theories that can be found throughout the movie, victim precipitation theory, differential association theory, strain theory and labeling theory are the most prevalent. The story takes place in Tulsa, Oklahoma and revolves around the story of a 14 year old Greaser named Ponyboy Curtis. The town is split into two conflicting adolescent groups, the Greasers and the Socs. The Greasers are of lower class standings with harsh upbringings, poor kids from the wrong side of town (north) and are considered delinquents. The Socs, are privileged kids living on the south side who have an easy life where everything
The cinematic film Get Out, directed by Jordan Peele, presents a scenario in which African Americans are targeted by white people mainly for their physical advantages. The plot follows Chris Washington, a professional African American photographer who goes away for the weekend to visit his white girlfriend’s family. Chris’ best friend, Rod Williams, is a TSA agent who is concerned about Chris going to a white family’s estate. Throughout the movie, Chris discusses to Rod the strange events that occur in the Armitage house. Get out displays how two people use their intelligence and ability to identify social cues to escape from an arduous situation.
In the movie Silver Linings Playbook, we follow Pat Solitano Jr., a man recently released from a mental institution (Cohen et al., 2012). He is a Caucasian male, likely in his early to mid-thirties and of Italian descent. He was a high school history teacher, living with his wife, Nikki, an English teacher. Upon finding his wife in the shower with another man, he nearly beats the man to death leading him to be sent to a psychiatric facility for eight months with a diagnosis of bipolar disorder. In this essay I will support the diagnosis of a Bipolar I disorder. A diagnosis of Bipolar I disorder, has specific criteria in the DSM-V that have to be met. I will be listing the criteria and through examples of Pat’s actions, thoughts and behaviours, he meets the criteria.
The Outsiders message is about “Nothing Gold Can Stay.” It explains that nothing good can go on forever and nothing young can last forever. It tells you about how and why we should enjoy what we have and keep and cherish everything we have to its maximum limit. Why shouldn’t we cherish what we have? Why do we need more? Why can't we be equally treated with same amount of things such as money and houses? That is the real question. We have that to this very day. In The Outsiders, their lives are exactly like this. They have their awesome rich people lives and the poor have unhappy lives. Some of each gang just want to be normal, the same, or similar at least. But their money splits them up. All because of a little extra
Levin, Carl, and Tom Coburn. United States. United States Senate. Wall Street and the Financial Crisis: Anatomy of a Financial Collapse. Washington: Committee on Homeland Security and Governmental Affairs, 2010.
“Inside Man” was released in 2006 and would later become the highest grossing film for the director Spike Lee. The film is a crime-drama, located primarily in a bank in New York City run by multi billionaire Arthur Case. Although the film is a thriller and contains bits of action and suspense, the movie focuses heavily on the difference between good and evil. The movie begins with a shot in medias res of Clive Owen’s character Dalton Russell explaining the difference between being stuck in a tiny cell and being in prison while he moves around a small room
This paper explores the development of Riley Andersen, the 11-year old protagonist in the Walt Disney Studios film Inside Out. When Riley is forced to move to San Francisco with her family, viewers witness her struggle to work though her developmental tasks and her psychosocial crisis. Although she had once been successful in her stages of development, her transition to a new home and a new school negatively impacts her emotions and causes a regression in her developmental tasks. With the support of her family and increased emotional maturity, she is able to successfully overcome her developmental obstacles. Throughout this paper, the principles and concepts of the psychosocial theory are discussed in relation to Riley’s
Mike Nichols' 1967 film The Graduate entertained American audiences with its stark portrayal of seduction, betrayal, and inter-generational conflict, ultimately winning Nichols the Academy Award for Best Director. The film seemed to speak to the political and social events of the era, and its message of youthful escape from the dictates of the old guard resonated with a generation of young people growing up in the midst of "The Greatest Generation's" stunning failure to live up to the ideas that supposedly defined their generation. However, a close look at the film's plot alongside the mis-en-scene of dramatic final scene reveals that far from offering a message of rebellion or escape, The Graduate just reinforces conservative ideology by celebrating the concept of marriage and chastity. Ultimately, The Graduate turns out to be nothing more than a slickly produced piece of conservative propaganda, using the themes of the 1960s' emerging sub-cultures in order to mask its own destructive message.
power is defined as a power based on fear. The lead character Mitch McDeere was