Chicacan Moral Art

The portrayal and the representation of the Chicano Art Movements are entrenched by the Mexican-American artist who institute artistic personalities and identities in the United States. The plenteous amount of the artist is massively influenced by the immense Chicano Movement (El Movimiento) which, was established in the 1960’s. The influence of Chicano Art was due to the Mexican- Revolution philosophy, art of Pre-Columbia and indubitably European techniques of painting, cultural, social, political issues. The movement took a stand to fight against stereotypes of Mexican- Americans conducive and to resist typical social norms. The movement to concentrate on awareness of collective history, equal opportunity, grants and social mobility. Chicanos have used the movement in pursuit of expressing their cultural values. Ever since it first appeared in America the art of Chicanos has matured to illustrate common struggle and social issues in conjunction with uniting the youth of the Chicano people to their culture and history. Chicano Art is not only Mexican- American artwork; it further emphasizes and accentuates the histories of the Chicano people in a superb and sublime way of American art.

Her paintings represented “the cultural nationalism of [Mexico]” (Meadows). She had a strong artistic style in which she showed her Mexican patriotism and her communist ideals. In addition, she also made political statements on the U.S. and the industrialization.

According to the definition of the Moral Compass text, moral compass is the reflective, international adoption of values and behaviors as a framework for realizing the good in oneself, in others, and in the social and material environment. My own moral compass is constructed mainly by my parents and the eastern social values and principles of relationships, which are largely influenced by the thoughts and ideas of Buddhism, Taoism and the Confucianism. Among them, Confucianism affects my country’s social values and furthermore my parents and my moral compass the most. In the contrast of Western culture, Confucianism puts a huge emphasis on the relationships between individuals in family, school,

Diego Rivera was known for a muralist of the Mexican Social Realism. This movement was the brutality of WWI. It attacked capitalist. Rivera was a communist, he believed in the common ownership in social, political, and economic ideology that strived to maintain social order. One example of this

The creation of murals or any art, for that matter, was in rapid decline. Mexican's at this time were abandoning most of their earlier values, as they were increasingly drawn into the struggle of assimilation, Americanization, and modernization, at all costs. The Mexican community was entrenched in a repressive Anglo-dominated society. It was out of this oppression that the dawn of new revolution was taking shape and bringing with it a resurgence of Mexican art as it transformed to define the identity of Mexican Americans as Chicano.

The reason I think Chiapas Paz Mexico mural at City Lights bookstore on Jack Kerouac alley is art because the artist communicates with the viewers by using art theory such as color theory, lines and shapes, and composition on his mural.

Mexican Americans defined the Chicano/Chicana movement. They took pride in their own identity, and they declared their civil rights. They worked towards improving their financial, social, and political situation. The Chicano/Chicana movement brought light to the injustices that Mexican Americans suffered. The movement brought up the struggle for land grant restoration, rights for Mexican American farmworkers, and access to education and politics.

     Public art conquers so much more than the simple task of making the street a little easier to look at. It involves those who created it, those who supplied the means to create it, and those whose lives it continues to impact. Wall paintings in particular take an important role in working for a greater good. Judith F. Baca, a Hispanic-American woman and artist- activist has contributed an unaccountable amount to the mural movement in Los Angeles. She has accomplished this by giving individuals the chance to create art and develop a sense of pride, she has taught younger generations a respect for their ethnic identity, and from the many walks of life that continue to view her

It shows the struggle and emotions of the Chicanos. Some of the murals like the mural of Mexican history and an unknown really shows all the aspect of their history. It shows the natives, women, men, revolutionaries and the major figures in Mexican history. The home page shows a drawing that represents the mixture of race which makes up the Chicano identity, the Native, Spaniard, and mestizo. This is a very visual history and one can pick some of the emotions and struggle through the paintings but one needs to understand the written history in order to appreciate it better because it makes it easier to identify especially with the major figures. Michelle Rosado makes an interesting point about the murals in the Chicano web site, when she mentions that "one may think that this is the history of all Mexican-Americans, but it is not. The effect of certain events that occurred in Mexican-American history on this community and California, such as the Chicano Civil Rights Movement and the Chicano Moratorium march against the Vietnam war, is addressed. The major outcome of these events emphasized by the web site is the influence it had on art in the Mexican-American culture. However, the history and other effects on all Mexican-Americans throughout the United states is not discussed". I agre with Michelle Rosado that "similar to the web site it [the documentary] does not talk about the very beggining of the Mexican-American

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

Throughout history, art has helped in different mediums to bring awareness to different issues and constructive messages to society. The Chicano movement started in the 1960s; the public wanted to repair social injustice. The Chicano movement encompassed a broad section of issues; from restoration of lands, to farm workers’ rights, to enhance education, to voting and political rights. At this moment many individuals were trying different ways to express their views and one of those ways was art. In the early years of the Chicano movement, Frank Romero established a reputation as one of the Chicano art heroes. Through murals Frank Romero expressed his thoughts and embodied a Chicano identity. His murals would not only connect with Mexicans, but with everyone. In his painting or art Romero would usually show everyday events in different views, opening the eyes of the viewer. Romero 's art would come out strong. Although Romero gained his fame with his murals, he is amazing in drawing, painting, ceramics, and sculptures. He is not just a remarkable Chicano artist, but an astonishing artist around the world.

Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no

In Source #1, Philadelphia, known for its community murals, is a prime example of how government-funded public artwork can revolutionize places that are bare and motivate its citizens. The Mural Arts Program oversees all the murals in Philadelphia, with a budget that totals to around four and a half million dollars from government and private partnerships. Numerous buildings within Philadelphia have been embellished with beautiful murals, as the number of paintings done totals to a hundred and fifty annually. The murals in Philadelphia also serve as inspiration for many of its people, as the goal of the program is to “bring a sense of pride and the hope of better times” (Murals: Making a, 2011). People within the city look to the murals for

     During the 1920’s, many young artists, suck as Diego Rivera, David Alfonso Siqueiros, and Jose Clemente Orozco were commissioned to decorate numerous public buildings with dramatic large scale murals. These were done to try

The author of this mural is Diego Rivera. He is one of the most important artists in Mexico. Also, he had the capacity to involve the people in his work. Diego Rivera always focused his work on politics and history of Mexico. We have the clear example in Sueños de una Tarde Dominical en la Alameda Central. It was painted for Diego Rivera in 1947. The original mural was established in one of the principal walls in the Prado Hotel, but after the earthquake in 1985 it was removed to Palacio Nacional in Mexico City. As had been noted, Diego Rivera a long of 74m2 painted the most important events from Mexican history, dedicated for all the people. For this reason, I chose to analyze this