Comparing the two poems Porphyria’s Lover and My Last Duchess

Robert Browning wrote the two poems, "My Last Duchess" and "Porphyria's Lover." Both poems convey an thoughtful, examination profound commentary about the concept of love.

Robert Browning provides a critical view of gender and power relations in his dramatic monologues “Porphyria’s Lover” and “My Last Duchess.” The dramatic monologue, as S.S. Curry has written, "reveals the struggle in the depths of the soul” (11). Browning delves into the minds of characters to show their conceptions of women and ideas of power. He explores the mental processes of the characters, and invites readers to question societal ideas of power and gender. The mental pathologies of the speakers is emphasized, which forces readers to examine the sanity of their own notions of gender dynamics.

The mind of a psychotic can be an interesting maze to travel. The reason's that they do what they do will probably remain a mystery for a long time, despite technological advancements. The reasoning for some psychotics “slips” and harms to others can possibly be explained by Owen J. Flanagan, as he states, “The fact that slips sometimes take even the person himself by surprise is explained by the fact that unconscious wishes are usually unknown to the person himself.” (Flanagan). This can help explain how the men act within the stories My Last Duchess and Porphyria’s Lover. Furthermore, this is a comparative analysis of the lover’s within Porphyria’s Lover and My Last Duchess, both by Robert Browning.

his description of his duchess, proves his own need to be in control. He initially asks his

none puts by / The curtain I have drawn for you, but I)' He acts like

Not only does the narrator envy the amount of care his wife shows Robert, he also seems to envy, and is slightly annoyed by, how much she talks about Robert: “How do I know these things? She told me” (20). He even says that she writes poems about an experience she had with Robert, one in which she allowed him to touch her face. The narrator seems to be jealous of the fact that his wife goes on and on about this blind man while he just sits back and

“My Last Duchess,” by Robert Browning, depicts powerful husbands attempting to control the actions of their wives as they are free to do as they please. In contrast, women are expected to be faithful and attentive only to their husbands. The power and control of the Duke is conveyed by a painting of the Duchess. It belongs to the Duke and is referred to as “my last Duchess” (1). The use of “my” demonstrates the possessive nature of the Duke and his claim of the Duchess as his own personal possession, much like the painting itself. As the Duke persists on forcing domination upon the Duchess, he is greatly displeased to find that she treats and considers him as the same value as nearly any other man.

Comparing and Contrasting the Theme of power and control between Porphyrias Lover, La Belle Dame Sans Merci and My Last Duchess

There are many similarities and differences between the two poems: “When We Two Parted”, written by Lord Bryon, and “La Belle Dames Sans Merci”, written by John Keats. I shall be exploring these poems and seeing connections and differences between them, so that I am able to compare them.

Indeed, it quickly becomes clear that the Duke disliked many things about his dead wife. The Duke dislikes how the Duchess liked everything that she saw, believing that she was “too easily impressed; she liked whate’er she looked on”. It disappoints him because he wanted to impress her with his marriage to her and also with his money and lifestyle. What annoyed the Duke most was that:

The Themes of Love and Loss in My Last Duchess, La Belle Dame Sans Merci, When we Two Parted, and Villegiature

Robert Browning’s poems “Porphyria’s Lover” and “My Last Duchess” depict a mastery of the dramatic monologue style. Said style contains a narrative told by a character’s point of view that differs from that of the poet.The character’s monologue consists of them discussing their particular situation that they find themselves within, this is meant to convey their internal information to the reader or audience. This in turn allows the reader a glimpse into the personality of the narrating character. Within “Porphyria’s Lover” and My Last Duchess” these monologues are used along with poetic devices to develop unique male personas. Between these two personas there are evident differences in class and within each class social issues arise within each work.

The Duke takes control of the situation entirely as he is the only speaker throughout the poem and his way of speaking leaves no scope for interruption, by the listener. The way he addresses his listener, “That’s my last duchess”, calls attention to the peculiarity of his designation which he indicates in a very proud manner. The apparent pauses throughout the poem, shown by dashes, indicate hesitation as the Duke considers what to say. This clearly suggests his manipulative attitude. As soon as he points towards the standing portrait of his last wife, he asks his listener to sit down –“Will’t please you sit and look at her?” His way of asking is not very polite and is more of a command which shows the psychology of a man with power.

There are many similarities and differences between the two poems: "When We Two Parted", written by Lord Bryon, and "La Belle Dames Sans Merci", written by John Keats. I shall be exploring these poems and seeing connections and differences between them, so that I am able to compare them.

During the nineteenth century people were under a strict patriarchal rule, especially the women. In those times, women were seen as ornaments “a momentary toy of passion” to the society and properties to be traded within marriage, therefore, Victorian moralists repressed female sexuality. As a result, for a woman to admit she even had sexual desires was considered sinful, let alone acting on those desires - like Porphyria did - was borderline criminal. Moreover, when Porphyria “glided in” she “untied her hat and let her damp hair fall”. Victorian moralists referred to female fornicators as ‘fallen’ women. Additionally, committing adultery was also a sin as it went against one of the Ten Commandments “Thou shall not commit adultery”, therefore, Porphyria ‘letting her hair fall’ could symbolise the boundaries she had willingly chosen to overstep by coming to meet her lover.