Despite being presented as opposites of good and evil, Nel and Sula are actually quite similar, as both Nel and Sula posses the traits that defined the other, effectively blurring the lines between good and evil. As young girls, Nel pushed herself to become friends with Sula in the first place as “Nel, who regarded the oppressive neatness of her home with dread, felt comfortable in t with Sula, who loved it and would sit on the red-velvet sofa for ten to twenty minutes at a time… As for Nel, she preferred Sula’s wooly house”(29). As a child, Nel yearned to be free and independent, and to be her own individual self separate from who her mother expects her to be. Sula however already lives this life of living in a non-traditional home and …show more content…
Sula says “I did not hold my head stiff enough when I met him and so I lost it just like the dolls”(136). For a second, she became the woman that the Bottom wanted her to be. The Bottom saw Nel as good because she conformed to this standard, and saw Sula as evil because of her promiscuous and non traditional lifestyle. However, here Sula is showing that she too can show these traits that the people in the Bottom see as correct and virtuous. The fact that Sula and Nel both possess the traits that defined them as either good or evil, shows that they actually cannot be defined as either, just as Eva describes “Just alike. Both of you. Never was no difference between you two”(169). Their similarity erases the harsh line drawn by the people of the Bottom as to what good and evil looks like, making it apparent that morality is not black and white but more ambiguous. Good cannot be the direct opposite of evil, if those who represent good and evil are both good and evil themselves. The idea that Sula is evil while Nel is good is torn down in Nel’s mind as well, as near the book 's end she reflects on the death of Chicken Little. Morrison writes “All these years she had been secretly proud of her calm, controlled behavior when Sula was uncontrollable...Now it seemed that what she has thought was maturity, serenity, and compassion was only the tranquility that follows a joyful stimulation. Just as the water closed peacefully over the turbulence of Chicken Little 's
Only two characters, Nel and Shadrack, maintain a static interpretation of Sula’s birthmark, revealing their alienation from society at large. Nel’s unchanging perception of Sula’s birthmark as a stemmed rose highlights her own need for consistency.
The book To Kill a Mockingbird by Harper Lee is often associated with a various number of themes such as racism, social inequality, the importance of family values, and much more. But one of the more hidden messages of the book centers around the idea that there is a coexistence of good and evil. This theme is really brought to life the more the reader is able to understand the book. Through sub themes such as coming of age, perspective, and intense characterization of many important characters the idea of good and evil is really brought to light.
Although Nel thinks of herself as the "good" one and considers Sula the "bad" one, at that point you
The climax of the story is when Nel finally confronts Sula. Each girl carried demons, guilt, and frustration over their lives and their choices. Nel finally vents her anger and pain and asks for an explanation from Sula. Nel's " thighs were truly empty and dead too, and it was Sula who had taken the life from them" (Morrison pg. 110-111). After leaving Eva at the home, Nel is so upset that she heads to Sula's grave. She sadly thinks about how none of the townspeople mourned her death. Nel calls out for Sula and it is then she finally forgives her for cheating with Jude. She starts crying, for the first time in years. Nel finally finds peace by grieving for Sula. When reading that part I think it was then that she realized it was Sula who she was missing & not Jude. When reading the story I couldn’t help but feel mixed emotions for Sula. It was a combination of sadness for all
Nel and Sula’s relationship is a complex one, which allows for the novel to become incredibly in depth and driven by interesting characters. Sula’s relationships with her mother and grandmother are opposite of Nel’s relationship with her mother. This is, perhaps, why their personalities differ so much once they reach adulthood. Both become their mothers.
As Nea interacts with the other characters, she is always brash and rarely takes the time to understand their side of a situation. In many cases, she lies to manipulate people and her situation to achieve her selfish goals. Nea fakes her remorse about attacking the customer just to please her sister: “I was glad I’d stabbed that man. I was only crying because life was so unfair.” (72) When Nea needs to find a way to Sourdi’s home she lies to Duke about the severity of the situation because she knows deep down that it is not as bad as she wants to believe. If Sourdi was in trouble, it would ultimately mean that Nea could get her sister back. Nea fabricates this story to make up for the loss she felt when Sourdi moved on and abandoned her. She would rather believe that it was someone else who caused her sister to mature and move on than to believe it was her own fault or that
Sula dislikes her disheveled house, and wishes that she could live in a household as clean as that of Nel. Sula?s positive view of Nel?s home challenges Nel to see it in a new light, teaching her to appreciate. This concept stays current throughout the early years of their relationship, each opening the other?s eyes to new idea and ways of living and as they do their friendship grows stronger. The two become practically inseparable, living completely symbiotically and depending on each other for everything. However, this relationship is destined to change.
Nel follows all the stereotypes of what a woman should be. She is a simple God-fearing, church going women who marries young and is very domesticated, tending to the house and her children. Nel chooses to settle into the conventional female role of wife and mother while all throughout her life she has been careful to stick close to the "right" side of conformity. She was raised in a stable, rigid home by a family that has always been careful to keep up a socially respectable persona and an immaculately clean house. Sula on the other hand is the complete opposite. Sula gives social reforms no mind and is in a sense a wild woman that can not be tamed. She defies social conventions by never marrying, leaving her hometown to get an education and having multiple affairs with different men. The home she grew up in was in a constant state of disarray supplied by a steady stream of borders, three informally adopted boys all of whom were renamed Dewey and a line of men waiting for her openly promiscuous mother.
In the novel Sula by Toni Morrison, the idea that Sula and Nel are different is proven multiple times. Throughout the entire novel, the stark contrast between Nel Wright Greene and Sula Peace is shown, starting from their childhood, when they first met. From even before the two friends had met, the difference was clear; the household that Nel lived in was overly clean and strict, while the household Sula lived in was entirely the opposite, with it being noisy, busy, and messy. As little girls, Sula and Nel create their own rules for their friendship; "In the safe harbor of each other's company they could afford to abandon the ways of other people and concentrate on their own perceptions of things” (55). However, their close friendship is tested when Sula sleeps with Nel’s husband, Jude, which stops Nel’s relationship with Jude and her friendship with Sula.
Being oppressed by her mother, Nel has an attraction to Sula’s carefree environment, which, unlike her own lacks any oppression. Likewise, Sula has an attraction to Nel’s peaceful and orderly environment. They both desire something that the other has, and that’s where such a strong attraction comes from. Together, they are perfect. Nel finds in Sula the youthfulness and the fun she’s missing, and Sula finds order and stability in Nel.
The novel Sula, is a work which contrasts the lives of its two main characters Nel and Sula. They appear, on the surface, to be the epidemy of binary opposites but this is in actuality their underlying bond. The differences in their personalities complement one another in a way that forges an almost unbreakable alliance. Sula is compulsive and uncontrollable while her counterpart, Nel, is sensible and principled. To prove Nel human by subscribing to the theory that a human is one who possess both good and bad traits, one must only look at how she interacts with Sula, here both negative and positive traits are evident.Nel’s "good" traits obviously come to the forefront when looking at her character. One might say this is a result
In Toni Morrison's Sula, the reader meets the protagonist, Sula, and her friend Nel when both girls are roughly twelve years old. Both girls are black, intelligent, and dreaming of
Because of the sexual confidence Hannah Peace has, Sula must disguise her difference, just like her grandmother Eva had too. Eva’s drastic measures were repeated by Sula an act of survival and denial of powerlessness and vulnerability. Nel and Sula are regularly picked on by the same group of boys, causing Sula to take matter into her own hands. At one point, Sula takes out a knife and cuts off part of her finger saying, “ ‘If I can do that to myself, what you suppose I’ll do to you?’ ” (54-55). This severe act if Sula’s moment of self-recognition of her connection to her grandmother Eva. Here, Sula realizes that she has to fight against her own vulnerability, and establish her identity, hereby following her grandmother Eva’s example. Though this moment shows Sula’s inner strength, it can never disguise her enough of being different from the rest of her community. Just as Eva and Hannah, Sula continues the unpreventable, mature line of breaking past the typical gender roles of the time. Eva’s overly independent attitude and removal from caring and mothering a daughter correctly, leaves her daughters with unlearned, societal caretaking skills. This results in Sula’s highly inappropriate and unnecessary act of clumsy caretaking within her relationship with Nel. Yet, it is understandable because Sula has never been taught normal and conventional means for problem solving. The denial of motherly love from
While society's view of evil is really based on the disapproval of anything that would break down way society works, Sula's view of evil is based on a different goal and she acts according to a different set of standards. In other words, "Sula was distinctly different" (118). Sula "had been looking all along for a friend" (122) and that is the goal she is really trying to reach. In sleeping with many men, she is sort of looking for a release for her "misery and...deep sorrow" (122). She is trying to find a friend who she can
The world is full of evil and the book doesn’t shy away from showing us that. There are many evils that this book shows us such as: prejudice, Hatefulness, and unjustified violence. The book has many examples of each, such as when Rosaleen had poured out her snuff jar all over the white man’s shoe. She had been