Motherhood in Sula

In addition, the author helps the reader understand the selfishness of the mother when the reader finds out she have stole the Persian Carpet “several months before” (230) the divorce and puts the blame on Ilya, the poor blind man. Furthermore, the visit of the children is supposed to signal a fresh start for the family. The mother even emphasizes she wants the girls to come “live with [them]” (229). Yet again, even if they meet in order to reunite, characterized by a situational irony, they see themselves separated because of her mother selfish decisions.

Only two characters, Nel and Shadrack, maintain a static interpretation of Sula’s birthmark, revealing their alienation from society at large. Nel’s unchanging perception of Sula’s birthmark as a stemmed rose highlights her own need for consistency.

Friendships tend to change over time, for better or worse. This is illustrated in Toni Morrison’s short story Recititaf. The relationships of Twyla and Roberta are a rollercoaster from the moment they meet at the orphanage, to their confrontational meeting at the Howard Johnsons, to the picketing during segregation, until the end when they try and sort things out. One of the ways to show the rocky relationship of the two is through their dialog when they discuss their mothers.

Being oppressed by her mother, Nel has an attraction to Sula's carefree environment which, unlike her own, lacks any oppression. Likewise, Sula has an attraction to Nel's peaceful and orderly environment. They both desire something that the other does not have, and that's where such a strong attraction comes from. Together, they are perfect- Nel finds in Sula the youthfulness and the fun she's missing, and Sula finds order and stability in Nel.

The climax of the story is when Nel finally confronts Sula. Each girl carried demons, guilt, and frustration over their lives and their choices. Nel finally vents her anger and pain and asks for an explanation from Sula. Nel's " thighs were truly empty and dead too, and it was Sula who had taken the life from them" (Morrison pg. 110-111). After leaving Eva at the home, Nel is so upset that she heads to Sula's grave. She sadly thinks about how none of the townspeople mourned her death. Nel calls out for Sula and it is then she finally forgives her for cheating with Jude. She starts crying, for the first time in years. Nel finally finds peace by grieving for Sula. When reading that part I think it was then that she realized it was Sula who she was missing & not Jude. When reading the story I couldn’t help but feel mixed emotions for Sula. It was a combination of sadness for all

Two young girls, coalescing on a grass-laden field while lying on their stomachs, dig a hole in unspoken harmony. A picture of youth and innocence, this scene depicts an innocuous moment which the two girls share as a result of their juvenescence--or does it? In Toni Morrison 's Sula, this scene, among others, appears at first to be both irrelevant to the novel’s underlying theme and out of place with regard to the rest of the plot. Yet, when analyzed further, the literary devices that Morrison uses in these scenes bring readers to a vastly different conclusion. These scenes serve as windows into the mind of Morrison and even into the larger themes present in the text. So, perhaps two girls sharing a seemingly casual experience is not as

Despite being presented as opposites of good and evil, Nel and Sula are actually quite similar, as both Nel and Sula posses the traits that defined the other, effectively blurring the lines between good and evil. As young girls, Nel pushed herself to become friends with Sula in the first place as “Nel, who regarded the oppressive neatness of her home with dread, felt comfortable in t with Sula, who loved it and would sit on the red-velvet sofa for ten to twenty minutes at a time… As for Nel, she preferred Sula’s wooly house”(29). As a child, Nel yearned to be free and independent, and to be her own individual self separate from who her mother expects her to be. Sula however already lives this life of living in a non-traditional home and

During the story, Chai paints a picture of two extremely close sisters who have been put to the test. The pair has been relocated, put to work, and expected to mature quickly in their harsh new world. Nea is the narrator of the story, and she shares: ”We used to say that we’d run away, Sourdi and me.” (72) The sisters would whisper their secrets back and forth at night, and lock themselves in the bathroom together and hide away together. As children the girls were inseparable but soon the age difference comes between them. Sourdi finds comforts in her first romance with a dishwasher, Duke, and slowly but surely Nea is left by the wayside. This distance is increased when Mr. Chhay is introduced and Nea quickly realizes that her sister is being severed from her life: “It was the beginning of the end. I should have fought harder then. I should have stabbed this man, too.” (75)

Sula dislikes her disheveled house, and wishes that she could live in a household as clean as that of Nel. Sula?s positive view of Nel?s home challenges Nel to see it in a new light, teaching her to appreciate. This concept stays current throughout the early years of their relationship, each opening the other?s eyes to new idea and ways of living and as they do their friendship grows stronger. The two become practically inseparable, living completely symbiotically and depending on each other for everything. However, this relationship is destined to change.

In the novel Sula by Toni Morrison, the idea that Sula and Nel are different is proven multiple times. Throughout the entire novel, the stark contrast between Nel Wright Greene and Sula Peace is shown, starting from their childhood, when they first met. From even before the two friends had met, the difference was clear; the household that Nel lived in was overly clean and strict, while the household Sula lived in was entirely the opposite, with it being noisy, busy, and messy. As little girls, Sula and Nel create their own rules for their friendship; "In the safe harbor of each other's company they could afford to abandon the ways of other people and concentrate on their own perceptions of things” (55). However, their close friendship is tested when Sula sleeps with Nel’s husband, Jude, which stops Nel’s relationship with Jude and her friendship with Sula.

On the other hand, it could be articulated that the female characters in both the novels have proved their mental instabilities, individualisms and rebelliousness have disturbed the lives of others. Moreover, it could be analyzed in the novels that both the author in their social context has explained the dark secrets of the life of individuals.

Being oppressed by her mother, Nel has an attraction to Sula’s carefree environment, which, unlike her own lacks any oppression. Likewise, Sula has an attraction to Nel’s peaceful and orderly environment. They both desire something that the other has, and that’s where such a strong attraction comes from. Together, they are perfect. Nel finds in Sula the youthfulness and the fun she’s missing, and Sula finds order and stability in Nel.

4. Michele’s relationship with his mother is quite different to the one he has with his father. Rather than trying to impress his mother like he does with his father, he just tries to please her and make her happy rather than seeing her upset and angry. He saw his mother as a beautiful woman who he respected quite immensely. Michele seems to get along better with his father as his conversations with him are livelier than those between himself and his mother.

In Toni Morrison's Sula, the reader meets the protagonist, Sula, and her friend Nel when both girls are roughly twelve years old. Both girls are black, intelligent, and dreaming of

As seen by many different mothers in the novel Sula by author Toni Morrison, mothers play an important part in kid’s life, shaping how they view different beliefs in the world and setting up values in their child. Every individual’s life is shaped by personal relationships they have with others. The mother and child relationship greatly affects the identity development in the kid. As seen in the racist community in the novel, the mother and kid relationship is important in the sense that the mothers and children share understanding of the sexist oppression, intertwining their lives together even more than they