Graffiti: Art or Vandalism Essay examples

The value of any message or work of art, whether it is hanging on the wall of a gallery or a subway, lies on the intensity of the artist’s or vandal’s beliefs. Graffiti is an uncertain issue in respect to its virtue. While the voice of the individual must never be lost in a society of shouts growing larger and louder every second; graffiti is such a public medium that its integrity must be of great concern. Graffiti is a vast wasteland of indefinite opinions. Foremost graffiti is illegal and a form of vandalism, it invades peoples privacy and destroys their property. However, graffiti can be a means by which one may permanently express one’s self. It has the potential to convey a powerful, relevant

According to Boyd, through Graffiti is essential to understand as a form of art that crosses the boundaries of location, method, and motivation. He acknowledges that graffiti might include “racist remarks, empty slogans and illegal signatures.”(Boyd 251) Boyd’s piece is also very informative because according to the author, there are two methods for creating this form of art: murals and tagging. The most popular one is tagging because it can be found almost everywhere from fence posts to trains, street walls to buses. The main goal of graffiti writers is to put their signature tags in places to be recognized by their

The cutting edge of the public art development, connected with the hip-hop society of breakdancing and rap music, began with African-American and Latino teenagers in Philadelphia and New York in the late 1960s (MacDonald 1). At that time graffiti to most, was considered to be a form of art work. Regardless of those that thought of it as art, there were and are still numerous individuals that loathe the graffiti movement. Works of art have been dependably charming for ages, as it is a method for self-expression and inventiveness. Artistic expressions have advanced in many ways, such as public canvases offering an approach to modern day unique artwork. Graffiti is progressively turning into a hobby. Although one of the major controversies of graffiti surround the statement that it is not art and considered vandalism, graffiti allow artists to display grateful meanings, skills and expressions to the public.

Graffiti artists have the constant threat of facing consequences for displaying their art. Many of them choose to protect their identities so they remain anonymous. Banksy is the world’s most notorious and well-known street artists who to this day remains faceless in today’s society. His tags are well-known for his anti-war, political stencil art. His work is seen from Bristol, England to anywhere from Los Angeles to Palestine. Pixnit is another artist who chooses to keep their identity anonymous. Her art focuses on beauty and design aspects of graffiti.

To fully understand street art as a concept in itself, it is vital to explore why the art is made on, and for, the street. According to Chung (2009) art on the street “allows artists a platform to reach a broader audience than traditional art forms”. This is supported by Young (2016) who argues that the “street is the biggest gallery you could ever want”, the author goes on to note that often a “galleries audience is self-selecting and homogenous”- belonging in an “elitist art world”. This implies that unlike classical art in galleries, street art cannot discriminate and is open and available to everyone despite their background or beliefs. Not only does the street allow the art to be widely seen, its accessibility indicates the ideas of

Throughout the course of time, Banksy’s street art is known for bringing a specific point across through his affective use of certain visual art that are very eye opening. For example, his signature use of black and white paints for the image itself and a very bold color such as red for magnifying the text. His art also brings up very controversial topics that most of his audience fail to realize or recognize. In one of his many famous pieces of art, he effectively uses the four rhetorical considerations and the two Aristotic considerations to convey to his audience that there are still many societies that have no interest in girls getting an education.

Linda Ngo, author of the opinion piece “Graffiti is a Beautiful 'Crime'” (2017), argues that graffiti should be legalized on grounds that it is an artistic expression of free speech. Ngo uses many comparisons between graffiti, which she claims is harmless, to many legal activities that cause people harm. Her purpose in writing this paper is to establish a legal form of graffiti to protect graffiti artists from legal action. Ngo's target audience for this paper is peers who may have different views on graffiti and its purpose.

From the early humans who painted on cave walls to the angst-ridden teenager getting their kicks from spray painting profanities on the side of a small business, human beings seem to have an intrinsic desire to paint images on the walls that surround them. This has led to many individuals painting on walls without permission. Although the walls cannot speak, city officials and the owners of businesses can and when they do, “Graffiti” is usually one of the words used to describe the images produced. However, although often overlooked, a line does exist between graffiti and street art. Christine Graff writes “Graffiti is defined as ‘writing or drawings scribbled, scratched, or sprayed illicitly on a wall or other surface in a public

The authors describe the street art, artists and graffiti. The main ideas expressed are what is different between graffiti /vandalism and street art.

There is a beauty in every art that is exposed and society appreciates the art that Banksy has given. When people think of street art they automatically assume it is just a mural or graffiti on an empty wall at a stranded building or community. Banksy art movement brought unity through the surrounding of people that enjoy looking at his artwork. Banksy brought a new twist to the meaning of street art. The art movement that happened in October 2013 in New York was unforgettable and people of New York were the city to experience it first-hand.

The importance of Public Art in communities stems from a place of creativity, voice and rebellion. All art is a form of communication whether it is street art or museum art. Artists make art to express and address their political views, mark the anniversary of something, tell a story, etc. Public art creates a sense of community in cities and towns because it reflects what the places believe in. Whether it is street art or museum art, most all humans admire what artists express because it is easily accessible and almost always demonstrates a story. Street artists such as “Blek Le Rat” and “Banksy” have used their talent to create urban art that reflects societal, political, and economic views along with a pinch of dark humour. These reflections

Banksy is the unidentified mysterious artist that for the last twenty years has been vandalising walls across the world with imagery that is known for its ability to capture an audience with a profound and methodical phase or statement. Banksy’s work aims to confront society with the issue faced in today’s culture and challenges the viewer to justify their action. Banksy produces artwork that forces an audiences to think and question themselves and the world they live in. Although Banksy’s true identity is unknown, his artistic style is easily found in his artwork alongside his signature.

We seem to come into contact with a form art every day. It is all around us and sometimes we don’t even notice. One of those art forms is street art, better known by the name graffiti. Graffiti can be recognized for having a bad connotation associated with it, for example some people view it as offensive, vulgar, a nuisance or a form of vandalism. For some people graffiti is a way of life, a culture per se. There are many ways that culture can be defined for example culture can contain the use of symbols, it can be learned and shared, it has values and purpose. Graffiti as a culture contains all of these things and in this paper I will be looking at some comparisons and contrasts of graffiti culture in America from when it started and its evolution to mainstream artistic culture.

The origin and history of graffiti is not what one might expect. Believed to have been created by a Philadelphia high school student named Cornbread in 1967, it was a bold effort to catch the attention of a girl (De Melker). In this same time period, graffiti sprung up in New York as well. It was “one among many forms of social protest” during

Banksy is a very renowned street artist who keeps his identity unknown. His artwork is portrayed by “striking images, often combined with slogans, [which] engages political themes, satirically critiquing war, capitalism, hypocrisy and greed” (“Banksy Biography”). He first started his bold street art in Bristol, his hometown located in London, but quickly spread to the United States of America. In the U.S., Banksy targeted the most populated cities; this was due to the fact that it was easier for him to spread his messages. With a crowded location, his lessons will extent over an audience much quicker.