In modern societies, there are ongoing debates among multiple stakeholders regarding the nature and acceptability of graffiti as a sustainable and decent art form. Having gained immense popularity in urban environments, graffiti has always been on the verge between art and vandalism. The reason for such controversial perceptions lies in the definition of graffiti and its origins. As Campos defines it, “graffiti and street art could be considered a practice through which individuals appropriate the city” and whose nature “is consistently described as subversive” (Campos, 2015, p. 17) and illicit. That is, the subculture of graffiti implies the element of illicit artistic expression placed in public view. While the original purpose of graffiti – as the practice was born in Philadelphia of the 1960s – was tagging through specific styles of writing and lettering, further development of the culture (Mettler, 2012, p. 252). At the same time, development of graffiti form lettering focused on the writer’s name to more elaborate forms including imagery and – as street art – making it the focus have raised even more debate regarding graffiti. This essay will argue that graffiti is a decent form of visual art involving skills, artistic vision and sociocultural context: that is, not all graffiti works are vandalism, for many of them occupy public spaces with the purpose of decoration or communication of socially significant messages. As an example, the graffiti created by Futura
Art. Art is “the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.” (google). That’s kind of a lot. Basically, art is anything created as a product of human creativity and imagination to portray a message, trigger an emotion, or just, look good. That being said, what isn’t art? Anything, from the mona lisa to the projects sitting around this room were made by human imagination and creativity to portray a message or just be beautiful. What if you were told, that all of the hard work that was put into those projects and paintings, was illegal? Not accepted by some people as art, and frowned upon.
Graffiti has been around for more than half a decade and practiced worldwide. However there is debate between whether it is a form of art or vandalism. Graffiti artists’ debate that many do not understand the reason most graffiti artist take the risk of incarceration, fines, injuries, and in some cases death to paint a wall. A graffiti artist can have the simple desire to become recognized, or to create a piece that speaks to their audience as a form of self expression. Because graffiti is associated with gangs and acts of destruction to some many cannot see the history and importance graffiti can have on a worldwide scale. Due to the fact that graffiti is usually produced illegally, meaning it is
Most people can argue that there is a fine distinction between what is recognized as art and vandalism. The individual is often faced with uncertainty when the topic of graffiti arises. The public often portray graffiti as a destructive act towards his or her surroundings however; graffiti can also be considered a form of self-expression. Many questions can be made pertaining to the graffiti movement, but the main question is graffiti a crime or an art? The answers lie in the complex phrase of “beauty is in the eye of the beholder”.
Graffiti is something that nearly every place in the world has to deal with. Graffiti can range from anything, it can be something that could be considered a beautiful mural, a gang tag claiming territory for a particular gang, or just a personal tag someone decides to leave behind. In order to fully understand graffiti and the messages behind it, it is essential to know many facts involving graffiti. It is integral to know the time period when graffiti first showed up, how the intent or meaning of graffiti has changed, how graffiti is on a global scale, political messages behind graffiti, and finally how vandalism and graffiti are treated as crimes. With all these facts in mind, anyone will be able to comprehend graffiti on a deeper level
If you walk through almost any city, the buildings, bridges, and any other available spaces are seemingly filled with colors, picture, and words that are not part of the original architecture. This graffiti, which is a mix of tags, stencils, pieces, and freestyle, seems to have almost taken over cities across the world. Some of this graffiti, such as tags, are eyesores, but some pieces, such as the High Line “Love Is the Answer” and “Kiss” murals in New York City, are sites that have become iconic pieces of artwork. Unfortunately, pieces like these are also starting to be covered to a seemingly astronomical rate, which is causing outrage among those who visited to them.
By definition, graffiti is illegal. It is also considered vandalism because public or private property is intentionally destroyed, but in Alex Boyd’s blog “In Defense of Graffiti”, he clearly conveys his argument about how graffiti shows qualities of value and shouldn’t be criticized on impulse. Even though many people have seen graffiti as something to be condoned, punishable, and terrorizing, it is actually just another form of expression, communication, art, and point of view.
According to Boyd, through Graffiti is essential to understand as a form of art that crosses the boundaries of location, method, and motivation. He acknowledges that graffiti might include “racist remarks, empty slogans and illegal signatures.”(Boyd 251) Boyd’s piece is also very informative because according to the author, there are two methods for creating this form of art: murals and tagging. The most popular one is tagging because it can be found almost everywhere from fence posts to trains, street walls to buses. The main goal of graffiti writers is to put their signature tags in places to be recognized by their
The roots of graffiti started about 1971 by a Greek American who tagged “TAKI-183” in all New York subway system, he declared that he “used graffiti to create an identity in which he is certain about” (Fortuna 3), then it emerged all around America and the world. (David 72)
As stated by Taki, an influential graffiti artist when addressing the concern authorities held about his graffiti writing, “Why they go after the little guy? Why not campaign organizations that put stickers all over the subways at election time?” (Chronopoulos 2011, pg. 81). Though, graffiti is deemed as legitimate when it is used to generate profit, which is seen through the recent increased demand for graffiti with the purpose of beautification and gentrification. Evidently, the growing concern over graffiti in public spaces is driven by the conflict graffiti creates when obstructing advertisements, which generate increased consumption and profit. It also demonstrates the lack of tolerance the dominant class has for the promotion of dominance by the lower class. Moreover, constant “public proclamations” which urged people to see graffiti writing as a social safety issue, has certainly influenced the demand for anti-graffiti efforts and the attitudes upper and middle class whites had towards Blacks and Latinos (Chronopoulos 2011, pg. 87)
In the summer of 2013, a graffiti artist by the name of 'Lady Pink' had police barge into her house in Queens and arrest her husband for vandalism. They took her art supplies, photo archives, and many of her prized possessions. She had to sit there, helpless, watching police take away her things. In today's world right now, expressing yourself creatively is one of the most important things you can do to help figure out who you are. A part of creative expression is art. Art makes people happy. Graffiti falls into the art category. For some people, graffiti is what they do to express themselves. Graffiti is art and shouldn't be illegal. Expressing yourself creatively shouldn't be a crime.
The cutting edge of the public art development, connected with the hip-hop society of breakdancing and rap music, began with African-American and Latino teenagers in Philadelphia and New York in the late 1960s (MacDonald 1). At that time graffiti to most, was considered to be a form of art work. Regardless of those that thought of it as art, there were and are still numerous individuals that loathe the graffiti movement. Works of art have been dependably charming for ages, as it is a method for self-expression and inventiveness. Artistic expressions have advanced in many ways, such as public canvases offering an approach to modern day unique artwork. Graffiti is progressively turning into a hobby. Although one of the major controversies of graffiti surround the statement that it is not art and considered vandalism, graffiti allow artists to display grateful meanings, skills and expressions to the public.
From the early humans who painted on cave walls to the angst-ridden teenager getting their kicks from spray painting profanities on the side of a small business, human beings seem to have an intrinsic desire to paint images on the walls that surround them. This has led to many individuals painting on walls without permission. Although the walls cannot speak, city officials and the owners of businesses can and when they do, “Graffiti” is usually one of the words used to describe the images produced. However, although often overlooked, a line does exist between graffiti and street art. Christine Graff writes “Graffiti is defined as ‘writing or drawings scribbled, scratched, or sprayed illicitly on a wall or other surface in a public
Graffiti artists should be able to express themselves without being fined for their own creativity. Unfortunately, cities seek clean-up for street art, in which artists find themselves being charged for a $6,500 fine or prosecuted (Newsela). Painters should not be charged for putting their time, effort, and heart into a painting for others to enjoy. Not only are these paintings for enjoyment, but bring attention to issues that need to be resolved. The skill of an artist should not determine if they can or cannot paint street art. Although it would be understandable if their artwork was inappropriate. Luckily, not all cities are banning graffiti, Buenos Aires is a city where the paintings on walls tell stories of the past and represents “resistance
Going by the traditional definition of graffiti, simple writings or illustrations on walls, the art can be traced back to ancient times with cave paintings and hieroglyphics and such. The need to communicate through visuals has always been ingrained in all types of human culture; evidence of graffiti can be found everywhere, from ancient Pompeii to early 20th century America. However, the modern form of the art, characterized by tagging and complex personal expression, emerged some time around the late 1960’s. At this time, kids in urban communities had no voice, no way to express themselves and their ideas to the world. They began writing on walls, subway cars, ice cream trucks, any surface they could reach with paint. Initially, most graffiti was made for rather simple purposes: to get the attention of a girl, or just to be able to write your name somewhere, but eventually escalated into full-blown murals and artworks used by artists to express themselves. This trend grew and spread, quickly
This negative shadow on the art form of graffiti has caused the decline of the graffiti movement. As many have predicted, “graffiti may eventually disappear” (“The Writing's on the Wall; Graffiti”). Graffiti has already begun to dwindle from what was once a flourishing art movement, to an almost disesteemed hobby. However, a soiled reputation is not the only culprit in the murder of authentic graffiti. The occupation of the current generation with technology and social media has caused many artists to focus solely on selling their work and gaining attention through social networking platforms. Another, perhaps more common, reason for the decline is the improvement of police work and punishments for those indulging in the illegal form of graffiti (“The Writing's on the Wall; Graffiti”). Because of this decline in authentic and prohibited graffiti, artists have channeled their work into new forms and established their own artistic community.