Harlem Renaissance In Their Eyes Were Watching God By Zora Neale Hurston

It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than

Throughout life, everybody makes sacrifices that may become more beneficial to him or in ways they could not foresee. A sacrifice may be simply giving up an object or giving up something deeper in meaning. Their Eyes Were Watching God is a prime example of a book that reflects this theme. In Their Eyes Were Watching God by Zora Neale Hurston, the main character, Janie, struggles to figure out her identity and what she desires in life. As she matures in her relationships and in life, she learns to make sacrifices in order to seek what she really needs. In Their Eyes Were Watching God, Hurston illuminates Janie’s values and the text’s emphasis on self-actualization is demonstrated through Janie leaving stability with Logan to marry Joe,

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).

Zora Neale Hurston contributed to the Harlem Renaissance by writing several works of literature, contributing to the acceptance of African Americans, and by helping to preserve folklore and African American culture. Hurston contributed to the Harlem Renaissance by writing several works of literature. Her literature presented a writing style that wasn't usually used during this time.her writing also showed African American culture as well as lifestyle. Zora Neale Hurston contributed to the acceptance of African Americans. Hurston did this by making her work reachable to white Americans in the forms of plays and novels. Last but not least Zora Neale Hurston contributed to the preservation of folklore and African American culture. Zora Neale Hurston helped preserve folklore and African American by collecting the information on it during her expeditions to the south, Bahamas,Haiti, Jamaica, and other

Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.

A reflection of the truth. The Harlem Renaissance is real. It is identified as a spiritual re-awakening, a rebirth in culture, a sense of pride and self awareness. However, African Americans were not always allowed this prodigious freedom. Prior to the Harlem Renaissance African Americans were slaves; considered a piece of property who had no rights whatsoever. Despite, their harsh history, Civil Rights were enforced, this helped bring them out of their misery; which is why the harlem renaissance is such an important era for the African American culture. Zora Neale Hurston plays a very critical role in the identification of Harlem Renaissance. She was born in Alabama on January 7, 1891. Both of her parents were former

of the differences in how Blacks are treated with in their race how light skinned were treated

Zora Neale Hurston was an influential African-American novelist who emerged during the Harlem Renaissance. (Tow 1) During the Harlem Renaissance Hurston’s novel "Their Eyes Were Watching God, was written in southern dialect so that the African American audience can relate, mainly because Hurston could only write about what she knew. “In the case of Hurston, dialect, as a regional vernacular, can and does contain subject, experience emotion and revelation.” (Jones 4) when Hurston's novel first was released many people didn't not accept the writing for what it really was. “When Their Eyes Were Watching God first appeared in 1937, it was well-received by white critics as an intimate portrait of southern blacks, but African-American reviewers rejected the novel. (Telgen, Hile 1) In this modern day the novel is well accepted and has been called "a classic of black literature, one of the best novels of the period" (Howard 7) In "Their Eyes Were Watching God", Janie takes on a journey in search of her own identity where each of her three husbands plays an important role in her discovery of who she is.

Instead, she portrays him as being racially whole and emotionally healthy. Hurston didn't want to change the world based on racial movements, she had her own ideas about things. Capturing the essence of Black womanhood was more important to her than social criticism.

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

To many of Hurston’s peers, creating art during the Harlem Renaissance meant concentrating on the black experience and struggle with the Great Migration, which was “the movement of millions of black Americans from the rural South to the urban North” (Woolflm 1). Many of the migrants left their families and homes to escape the danger and violence pledged by white supremacists and typically a universal need to escape a “land soaked in much bad blood” (Woolflm 1) or to find work and opportunities in an increasingly industrialized urban setting. Hurston instead, saw black culture, in all its “geographical incarnations as persistently emerging and reinventing itself” (Robert 1). Therefore, when Janie spends the majority of Their Eyes Were Watching

Growing up, I didn’t learn much about the Harlem Renaissance. In fact, I didn’t learn about the Harlem Renaissance at all until I came to college and took this class. I immediately found myself intrigued with the African American female playwrights, and authors during this period of time. I noticed that most of the writers who were given credit for their works during the Harlem Renaissance were mainly African American men. But I wanted to know more about the African American women during this time period. I had seen enough from the male perspective; I was hungry to find out more about the female perspective. What were their thoughts, portrayals, and views towards their culture, and race? Why were W. E. B. Du Bois, and Langston Hughes taught

Hurston prides herself on who she is because of her background. Her identity of being a black woman in a world

Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize “the Negro” apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had