Analysis of Zora Neale Hurston's Spunk

It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than

The Harlem Renaissance marked the coming out of many brilliant black authors and thinkers. Names like Jessie Redmon Fauset, Alain Locke, Ralph Waldo Ellison, Langston Hughes, and Zora Neale Hurston marked the scene. Hurton portrays many messages in her stories without having to explicitly spell it out. This among other reasons make Hurston's writing so rich. Two of her almost fable-like stories, "Sweat" and "The Gilded Six-Bits", each portray powerful messages individually. In "Sweat," you get a message of "whatever goes over the Devil's back, is got to come under his belly." You will reap what you sow among other messages. In "The Gilded Six-Bits," you learn that time will heal, money is the root of all evil, and other morals. These

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

     Zora Neale Hurston was a phenomenal woman. At the height of her success she was known as the “Queen of the Harlem Renaissance.” She came to overcome obstacles that were placed in front of her. Hurston rose from poverty to fame and lost it all at the time of her death. Zora had an unusual life; she was a child that was forced to grow up to fast. But despite Zora Neale Hurston’s unsettled life, she managed to surmount every obstacle to become one of the most profound authors of the century.

She uses idealistic examples and real world situations to get the best realistic interpretation on the matter of the harlem renaissance. This novel also is a great way to learn and understand the importance of women's roles and rights during the harlem renaissance era for the black/african american women. All in all, Hurston’s depiction of the harlem renaissance reflects and departs the major topics and does so

Purpose- Hurston’s purpose is to demonstrate that she is proud of her color. She does not need the bragging rights of having Native American ancestry, nor does she ‘belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it.’

The story Sweat by Zora Neale Hurston tells the story of Delia who overcame her abusive husband, Sykes through her development of becoming a strong woman. The development of Delia’s character throughout the story relates to Zora Neale Hurston’s life of growing up into a strong, empowered woman. Delia and Zora were both verbally and physically abused which made them afraid and timid. Zora made her characters talk in a dialect that she grew up listening to which was uncommon to do in literature. Delia and Zora both had to provide for themselves by putting in the effort remain stable and happy. They also stood up for what they believed in which started their development into strong women. Delia had to let her husband die in order to gain independence, while Zora had to move away from home in order to be successful in her future which developed them both develop into independent women. They became stronger because of these things which empowered them to take back control of their lives. The snake is a symbol in the story that represents the evil that was overcome by the good. This story can now be better analyzed when looking at the life of Delia which connects to Zora Neale Hurston’s life.

In the opening sentence of the story Hurston’s writes, “It was eleven o’clock of a Spring night in Florida. It was Sunday” (Hurston, 73). The beginning signifies correct English grammar and proper sentence structure, but in seamless Zora Neale Hurston’s fashion, the dialogue from the protagonist Delia Jones reads in broken incorrect syntax, “Sykes, you quit grindin’ dirt into these clothes! How can Ah git through by Sat’day if Ah don’t start on Sunday” (74)? In her short stories Hurston’s diction is elevated with the usage of morphology with the constant exchange of word formation with infixes, affixes and the combining of word choices. Hurston’s choice of diction offered a rhymical affect that adds a melodious tone to her writing shaped by the Harlem Renaissance period. As noted in the, The Florida Historical Quarterly “Hurston blended narrator and protagonist through language” (Haskin, 207) Her writing style aid in the management of mood, tone, character depiction, movement, and atmosphere in storytelling procedures. In the commencement of her stories, the storyteller, is communicating in standard English, the third-party narrative speaks as a representative for the character waiting to find his or her voice. As the character(s) discoveries their voice, they sway the narrator, and in the conclusion the narrator and central character are speaking for each other, using equally poetic, participating language (207).

After recently read a short story titled “Spunk” by Zora Neale Hurston about two men fighting for the woman that they love. Some stories end in happily ever after, but others end up in a tragic, like “Spunk”, one may say “fight for the person that you love”. In this story the two main characters are Spunk and Joe, they are both in love with the same woman, Lena. Spunk has a physical appearance that makes the village afraid of him, including Joe. Joe is married to Lena, but spunk wants her as well. Joe was shot after he took someone’s advice that he should go after Lena, which he did and for that advice caused his death. Spunk thought he

The short story, “Spunk”, written in 1920 by famous author, Zora Neale Hurston of Eatonville, FL, contains many characters but there’s only one that I find to be very amazing, Mr. Joe Kanty. A member of the Harlem Renaissance, author and folklorist, Zora Neale Hurston, constructed many of her works like: “The Gilded Six-Bits”, “Spunk”, and “Their Eyes were watching God,” during the Civil Rights movement to help fuel the setting and purpose of her stories. In the short story, “Spunk”, Mr. Joe’s characters’ transitions or changes to help portray the hero and bravery him. Three character traits that determine Joe’s behavior or inner self throughout the story relates from him being loving and fearful to him becoming revengeful.

Neale Hurston knew how to make an entrance. On May 1, 1925, at a literary awards dinner sponsored by Opportunity magazine, the earthy Harlem newcomer turned heads and raised eyebrows as she claimed four awards: a second-place fiction prize for her short story "Spunk," a second-place award in drama for her play Color Struck, and two honorable mentions.

Zora Neale Hurston takes a different approach to the Harlem Renaissance and focuses her work more on the African American experience and African American culture as its own expressive entity. Thus, causing criticism from people like Langston Hughes. According to Langston

With Joe finally gone from Janie's life in Zora Neale Hurston’s “Their Eyes Were Watching God,” everything changed for her! She is no longer the unmarried dreaming girl she was at 16; she has grown into a strong and proud woman who finally knows what she wants. And at first, that is just be alone. This in itself is a huge time of growth for Jamie. Janie tended to the store and collected rent from tenants in Eatonville, doing mature Joe Starks things. She still needed to fight off suitors now again, hounding her for her money, but she is finally free from the shackles of an abusive marriage. However, there is more to life than survival and for once Jamie understands that. Tea Cake and Janie meet when everyone else was at a ballgame, so they

The short story Spunk by Zora Neal Hurston's depicted a deadly love triangle. A strong theme throughout the story was fear, although, the fear shifted from Joe to Lena to Spunk. Initially, Joe was fearful of Spunk, but Elijah toyed with his emotions and convinced him to go after spunk with a razor blade, forcing Spunk to kill Joe in an act of self-defense. Then, the fear shifted to Lena, she was devastated about witnessing the death of her husband, but not for long, in no time she was engaged to Spunk, her husband’s killer. It’s also important to mention that another major theme of this story was manliness, Spunk and Joe were constantly being contrasted. However, one day, Joe's manhood took a blow of its own—a bobcat showed up at his home and

“Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me,” (Hurston). Zora Neale Hurston, a daughter of two former slaves and an African American novelist, voiced her concern over discrimination through many forms of literature. However, instead of holding grudges, she showed great confusion regarding the discrimination against her race. The Harlem Renaissance is the name given to the cultural and social movement which took place in Harlem, New York between the end of World War I and towards the middle of the 1930s. The Renaissance focused on the culture of African Americans and the new forms of music, art, and literature. Specifically,