History is made of memories, and memories are lies. Does that mean History is a lie? Not exactly. Patricia Hampl holds the opinion that memories are not completely true at first glance, and you could get some facts wrong the first time. Only after jotting down all relevant information, looking at that event in your life with such scrutiny that you remember more details and see that the first time will you see that you got some of it wrong. It is only by extension that we can see history being a “lie”, well more of a half-truth, but only when the first or second-person accounts of historical events aren’t properly looked over and nurtured. Hampl establishes a relationship of trust with a relatable first person narrative in the start of Memory and Imagination, she then moves on to destroy and rebuild that newborn relationship by exposing the mistruths in the memoir then explaining her reasoning. Credibility is Hampl’s tool to show readers that you need memory and imagination working interchangeably to write a memoir, proper recollection of past information, and that credibility itself serves as the substrate of truth in all forms of history.
For clarification reasons, I must admit that when I say “History” I don’t solely mean four-hundred plus years ago. Think of history as everything from a minute ago to the end of
…show more content…
However this makes a reader wonder where the line is drawn between enhancing a story and falsifying history. Hampl referenced a noble prize winner in saying that the number of books denying the existence of Nazi death camps exceeds 100 in 1980. Is what we remember what actually happened? Where is the line between reality, remembrance, and fabrication? “The function of memory” Hampl claims “…is intensely personal and surprisingly
History is story we tell ourselves as Khalil Gibran Muhamad defined it , or Story we tell ourselves about how past explains our present and the way story is told is shaped by contemporary needs as Aurora Levnis Morales nicely put it. Likewise it could be stated that we become stories we tell ourselves. Thus, history has role in construction of our identity. Given the importance of the story for us, could it be different story then the one we are told in mainstream media and thought in schools? The one that empowers us instead of enslaving us?
An author’s form of word usage and manipulation provides stories their feeling, tone, and pace while simultaneously creating a reader’s suspension of belief. Elie Wiesel in his book Night tells us of the year he spent in concentration camps during the Holocaust. Like many people have said and proven true, a lot of things can happen in a year making it almost impossible to retell every experience down to a tee; with this information in mind Wiesel writes of the moments that stuck with him, and would possibly with readers.
I do not know if there is any other field of knowledge which suffers so badly as history from the sheer blind repetitions that occur year after year, and from book to book.
As said by Audrey Hepburn; “Living is like tearing through a museum, not until later do you really start absorbing what you saw, thinking about it, looking it up in a book, and remembering - because you can’t take it in all at once.” In Elie Wiesel’s memoir, Night, the Holocaust took place in an order of layers. As time passed, the extremity was increased each chapter he succumbed to. Elie expresses raw emotion in his memoir, Night, and leaves you in a complete, utter state of wonder and sadness. Not only this, but remembering and cherishing the importance of all the emotions from this time in history. In Elie Wiesel’s memoir, Night, the theme of remembering is present before the Holocaust and in today’s society.
In Telling the Truth About History, three historians discuss how the expanded skepticism and the position that relativism has reduced our capacity to really know and to expound on the past. The book talks about the written work of history and how individuals are battling with the issues of what is “truth.” It likewise examines the post-modernist development and how future historians
The purpose of a story is not solely just to share lessons and truths about human nature but to also share stories of the past. Recognizing history and the knowledge acquired through stories is crucial in growing as an individual and as an entire society. People may be inclined to forget awful wars or events of the past. However, the act of forgetting these stories is an effort to avoid confronting the terrors and mistakes of the past. For instance, in Night, Elie Wiesel’s purpose in writing his memoir on his experiences of the Holocaust and in the death
Literature can help us remember the Holocaust by elaborating us about the victims and what they went through. From various different texts they support how literature can help us remember World War II and to honor the victims of the Holocaust.
Spiegelman’s book presents us with a unique way of showcasing a person’s personal experience of a historical occurrence, that being the Holocaust. According to Hatfield, Spiegelman’s manner of sharing this tale is not exactly the best. Hatfield states his disagreements over Spiegelman’s book.
Have you ever been hesitant to share a true story because you suspected that it would appear as a fabricated anecdote to your audience? Well, most of the time we add bunch of things or change a true story to make it sound genuine to our audience. We live in a judgmental and complex world where lying has become a part of our daily lives. Because of this habit, it is hard to differentiate the truth from a fabricated lie. Since I was a child, my parents always talked about battle of Adwa and many events that took place centuries ago. It is always amusing to listen to those stories because it is about heroic act that most of the kings of Ethiopia accomplished. Although I heard different versions of these stories, I always tend to believe my parents’ version. The reason is not simply the credibility of my parents’, but the way it was presented. According to the short story, “How to Tell a True War Story” by Tim O’ Brien, a true war story is hard to accept as true because some of the most agonizing parts are true, while some of the natural parts are not. Tim O’Brien’s narrative shows that a storyteller has the power to shape listeners’ views. We can change our perception because of the story teller, and neglect the fact that we are avoiding the actuality. Therefore by listening to different versions of a story, it will actually help the reader find greater truth of the story.
The Holocaust has been one of the most horrifying and tragic event that our human race has dealt with, but there are some speculations that the stories told about experiences and memories from traumatic event are not completely accurate. In the book Night by Elie Wiesel, who is a holocaust survivor, talks about the agonizing pain he and others experienced and gives us a first person view throughout the book. Traumatizing events that happen shouldn’t be forgotten and there are many reasons to speculate how suffering, starvation and violence that each survivor went through could affect their overall memory. From my perspective, I believe that Elie Wiesel memories that are told in “Night” are not always accurate. The great detail on how he explained situations, feels like it couldn’t be remembered with the circumstances that he was being put under. There are many reasons why our memories can’t be true under tremendous weakness,
We Remember the Holocaust is a great introduction to the Holocaust and is related by different survivors. It is written in easy to understand language and answers a lot of questions about that terrible time in history. It includes some disturbing photographs because most of the living in them died horrible deaths shortly after they were taken. They are necessary because they help the reader see the truth of what happened. Survivors’ stories are told along with the facts of that time. The book carries the reader beginning just before the Holocaust at the end of the First World War and the toll inflation took on everyone in Germany, including the Jews. It relates the way Hitler used speeches to convince Germans that Jews and Communists were to
History is defined as the study of the science of humanity in the past. It's a broad subject that spans over countless people groups throughout the years that the world has been around. Even before the times we have written word history was still being made, and it is still extremely important. We tend to forget that in our average day to day lives we are still making history. That all over the globe everyone is taking part in what might be in a history book someday.
“History cannot give us a program for the future, but it can give us a fuller understanding of ourselves, and of our common humanity, so that we can better face the future” Robert Penn Warren. What is the true meaning of history? History started even before we were born, it started since God created the universe. History has been on this universe for now about billions of years. Many events happened, such as Renaissance, The Golden Age, Age of the Dinosaurs, World War I and II, and others.
If you don’t look back at the past, then how will you remember those who were victimized during the Holocaust? A famous quote from Elie Wiesel, the author of “Night” says, “To forget about the dead would be akin to killing them a second time.” This quote really brings out the importance of valuing stories and experiences of people in the
Books, films, documentaries, and even memories: each serves to recount past events, each in a different way. While these accounts of the past are shared, they serve to provide the audience with an understanding; oftentimes this understanding does not and cannot portray the effect of certain, unimaginable events in history, such as the Holocaust, on individuals. In his essay, “The Presence of the Past,” Bernhard Schlink brings to the surface some of the inherited struggles that generations of German people have faced as a result of the Third Reich. Alongside his essay, Schlink also presents the effect of the past on people in his novel, The Reader, when he presents the audience with a character placed in a situation that is highly uncommon.