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William Blake Loss Of Innocence Essay

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Critics of William Blake’s Songs of Innocence and Experience not surprisingly have focused their attention on the galaxy of characters whose voices are heard throughout Blake’s poems. Along with the cacophony of voices of London’s disenfranchised—the men, women and children, the chimney sweeper or the harlot who thronged London’s streets and whose piteous cries became the object of Blake’s concern, the two set of artistic manifestation portray a seamless blending between innocence, a gradual loss of innocence and finally a metamorphosis into a higher state of innocence. In addition to the spoken voices there runs throughout the Songs an undercurrent of silent voices—voices that can be inferred, or as Blake would say, imagined—which speaks no …show more content…

Little Lamb, God bless thee!
The understanding of the nature of God infuses and directs these lines with a force that gathers into itself all the accumulated attributes of God as the creator and god as redeemer which have been outlined in the poem. As a threefold In Soft Beulah’s Night, the poem celebrates an earthly paradise in which animals and human beings live in complete harmony under the protection of a benevolent God.
In the dark forest of ignorance, the eyes of the Tyger burn with their penetrating vision. As against the lamb’s brightness of innocence, the Tyger has a bright ferocity, the ferocity with which its experience keeps vigil over the lamb’s innocence, protects innocence from being engulfed into ignorance. Between God’s conception and his creation falls no shadow, as God the mysterious synthesis, can give symmetry and pattern to so ferocious a creation, and govern him by an immortal rhythm. “When the stars threw down their spears”- It also occurs in The Four Zoas in which, Urizen says:
“The stars threw down their spears and fled naked …show more content…

Even the poem in its “innocent” counterpart is one of mellifluous rhythm which nonetheless casts up enormous questions about what Blake means by “innocence” His Little Black Boy serves to teach humanity an education of compassion or pity, evident in the way he strokes his “silver hair” as if realising that whiteness cannot withstand the scorching force of God’s heat. His immortal words in Fly

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