Zora Neale Hurston’s Their Eyes Were Watching God is a novel illustrating the life of an African American woman that finds her voice through many trials and tribulations. At the heart of the story, Hurston portrays a protagonist who moves from a passive state to independence, from passive woman with no voice who is dominated by her husband to a woman who can think and act for herself. Hurston achieves the greater theme of Their Eyes Were Watching God, of self-expression and independence through her use of three basic southern literary elements: narrative structure, ¬¬¬¬¬allegory, and symbolism. A brief inspection of these three basic elements will reveal how Their Eyes Were Watching God achieves its inspiring effect.
Zora Neale Hurston
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She learns to control her voice after she finds it. Similarly, the narrator is silent in exposed places, neither revealing why Janie isn’t upset with Tea Cake’s beating nor disclosing her words at the trial. Although Janie returns to Eatonville alone, she returns as a strong, new woman. Hurston’s narrative advocates both freedom from sexist and racist harassment, and the rejection of community and cultural values that enforce such harassment. Hurston also presents an imaginative consciousness that speaks of wandering and independence in a time when women were somewhat restricted. In the end, Janie, like Hurston and many African American women of the twentieth century, becomes a woman who can think and act for herself. Zora Neale Hurston also uses allegory to convey the theme of the novel. He uses it when Janie’s second husband, Joe Starks, forces Janie to wear a head-rag when in public. Because Janie’s hair is so attractive to men, Joe’s jealousy makes his wife bind her hair, constraining Janie’s femininity and stifling her identity. In an attempt to keep Janie all to himself, he suffocates her and loses her completely. When Joe dies, Janie wastes little time in burning all of the head-rags she owns. Here, the head-rag represents the constraints imposed on women by men in power, and how Joe obstructed Janie from finding her voice. When Janie gets attacked by the
In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus
By some tragic circumstance, Janie finds that she must kill Tea Cake before he kills her. When she is put on trial, she chooses not to speak, demonstrating that she found a way to control her voice, thereby asserting her independent womanhood, by the end of the novel. That may have been Hurston’s political message: that women should not be treated as “de mules uh de
Janie Crawford is surrounded by outward influences that contradict her independence and personal development. These outward influences from society, her grandma, and even significant others contribute to her curiosity. Tension builds between outward conformity and inward questioning, allowing Zora Neal Hurston to illustrate the challenge of choice and accountability that Janie faces throughout the novel.
Zora Neale Hurston is considered one of the most unsurpassed writers of twentieth-century African-American literature. Published in 1937, Zora Neale Hurston’s Their Eyes Were Watching God depicts the life of Janie Crawford, an African-American woman, who is in search of true love and ultimately her true self. In the novel, Janie shows us that love comes in all shapes and forms, and love is different with each person you choose to love. In the opening of the novel, Hurston uses a metaphor to say that, while men can never reach for their dreams, women can direct their wills and chase their dreams. Hurston uses this metaphor to make a distinction of men and women gender roles, and Janie went against the norms that were expected of her.
In Zora Neale Hurston’s romantic novel Their Eyes Were Watching God, the heroine Janie, a beautiful mixed white and black woman, is on a journey to find someone who will make her feel love to find her own identity and freedom, away from her spouses. Janie’s marriages and quest for love impede her individual search for freedom, but in doing this she has discovered what exactly she wants for herself. Janie’s search for her identity and freedom is very much evident. Being abused and controlled during her marriages has made it clear how she wants to be treated and how she wants to live her life; as an individual who does not have to listen to anyone. The story opens with Janie’s return to town. Janie tells Phoebe Watson the story of her
Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.
All novels contain symbolism in one shape or form, masking a deeper meaning beneath the words that are written on the page. Usually, there is an assortment of symbols disguised by a literal meaning that blend in with the scene. Symbols frequently come in the form of nature. Nature, generally being in the background of a scene, becomes more prominent when it is meant to be identified as a symbol. In Zora Neale Hurston’s Their Eyes Were Watching God, the symbolism in nature is recurrent throughout the novel. It is used to indicate turning points and track the growth of the main character, Janie’s, coming-of-age. This is portrayed through the changing of the seasons and various correspondents. In this way, it can be seen that not all events affect Janie in the same way, leading her in one direction. In Hurston’s Their Eyes Were Watching God, seasonal symbols are used to target experiences in Janie’s life and how they affect her overall development into adulthood.
In Claire Crabtree’s journal article, “The Confluence of Folklore, Feminism and Black Self-Determination in Zora Neal Hurston’s ‘Their Eyes Were Watching God’”, it addresses the large role that folklore plays regarding Janie’s growth as a character. Moreover, it states how the influence of Folklore culture shaped Janie’s experiences as a Black woman in the South. Initially, Crabtree described the integration of folk material and how it developed Janie’s journey of identity. Folklore culture affected Janie’s perception in relationships, career aspirations, and her limited role as a woman. Nevertheless, Crabtree explains how folklore is merged to the themes of feminism and Black self-determination. Moreover, she discusses how the style of narration and the novel’s unique storytelling frame amplifies the authentic aspect of the text. She
Janie shows the issues African Americans faced during this period and the their newfound confidence but also shows differences from the beliefs of this era. Hurston uses these departures and similarities to allow the reader to further understand the novel and the time period in which it takes
Zora Neale Hurston had an intriguing life, from surviving a hurricane in the Bahamas to having an affair with a man twenty years her junior. She used these experiences to write a bildungsroman novel, Their Eyes Were Watching God, about the colorful life of Janie Mae Crawford. Though the book is guised as a quest for love, the dialogues between the characters demonstrate that it is actually about Janie’s journey to learn how to not adhere to societal expectation.
“’…but she don’t seem to mind at all. Reckon dey understand one ‘nother.’” A woman’s search for her own free will to escape the chains of other people in Zora Neale Hurston’s Their Eyes Were Watching God.
Zora Neale Hurston was an influential African-American novelist who emerged during the Harlem Renaissance. (Tow 1) During the Harlem Renaissance Hurston’s novel "Their Eyes Were Watching God, was written in southern dialect so that the African American audience can relate, mainly because Hurston could only write about what she knew. “In the case of Hurston, dialect, as a regional vernacular, can and does contain subject, experience emotion and revelation.” (Jones 4) when Hurston's novel first was released many people didn't not accept the writing for what it really was. “When Their Eyes Were Watching God first appeared in 1937, it was well-received by white critics as an intimate portrait of southern blacks, but African-American reviewers rejected the novel. (Telgen, Hile 1) In this modern day the novel is well accepted and has been called "a classic of black literature, one of the best novels of the period" (Howard 7) In "Their Eyes Were Watching God", Janie takes on a journey in search of her own identity where each of her three husbands plays an important role in her discovery of who she is.
Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she
Hurston’s main way of inspiring a sense of feminism in her novel, is through the relationships of Janie including her Nanny, Logan Killicks, Joe Starks, and Tea Cake. She addresses Janie’s role differently in each of these relationships using motifs and stereotypes. Janie begins her journey of self-discovery following the dreams of her Nanny to becoming a strong, independent woman who makes her own decisions. All of the roles that Janie obtains stem from the distinct
In the society and world we live in we all want to be accepted and feel like we belong. Zora Neale Hurston goes through trials and tribulations as being a twenty-century African American such as slavery and feeling like she belongs. Imagine every time you think you are finally happy with whom you are and it turns out that wasn’t the case. In Their Eyes Were Watching God Janie embarks on journey in search for her own identity where each of her three husbands plays an important role in her discovery of who she is.