The Tyger By William Blake Symbolism

The poem, The Tyger, contrasts innocence and experience, and good and evil. The description of the tiger in the poem is as a destructive, horrid creature. The original drawing on the poem shows a smiling, cuddly tiger which is quite the contrast to the tiger described in the poem. This picture might suggest a misunderstanding of the tiger and perhaps the fears that arouse from the poem are unjustified. This poem contrasts the tiger with a lamb which often symbolizes innocence, Jesus, and good. The tiger is perceived as evil or demonic. Blake suggest that the lamb and the tiger have the same creator and in a way states that the tiger might also have the ability to have the benign characteristics of the lamb. The tiger initially appears as a beautiful image but as the poem progresses, it explores a perfectively beautiful yet destructive symbol that represents the presence of evil in the world. In the poem, Blake writes: " What immortal hand or eye, / Could frame thy fearful symmetry (4-5)." It is hard to determine if the tiger is solely evil or good.

In the poems "The Lamb" and "The Tyger," William Blake uses symbolism, tone, and rhyme to advance the theme that God can create good and bad creatures. The poem "The Lamb" was in Blake's "Songs of Innocence," which was published in 1789. "The Tyger," in his "Songs of Experience," was published in 1794. In these contrasting poems he shows symbols of what he calls "the two contrary states of the human soul" (Shilstone 1).

William Blake’s 1793 poem “The Tyger” has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of the Tyger and a less than thorough interpretation of its maker.

In the poem “The Tyger” by William Blake, the use of rhyme, repetition, allusion, and symbolism all help the reader understand the theme and what was going through the authors thoughts while writing. William Blake was a mystic poet who channeled his thoughts and questions to write poems. He questioned the creator of both the Tyger and lamb, how could the same God create a destructive creature like the Tyger and on the other hand create a gentle animal, the lamb. This ties into the theme of the poem of how a God could and would create a monster like the Tyger.

In the historical analysis I read that “The Tyger” was written to express Blake’s view on human’s natural ferocity through comparison with a tiger in the jungle, an opposite depiction of the innocence found in “The Lamb”. We see this ferocity directly in lines 5-8, “In what distant deeps or skies, Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire?” This poem echoes the visions Blake had when he was a child.

Looking at a powerful animal in fascination sends a lot of questions through one’s head. Even with God’s amazing design, this wonder can easily be switched to dismay. William Blake, the author of “The Tyger,” fulfills this interpretation of wonder. In this poem, the speaker seems to be watching a Tiger with great interest. Noticing how much power this animal possesses, our main character states a question as to why God would make such a perfectly dangerous creature. Moving forward in the poem, this question remains unanswered.

In the poem “The Tyger” by William Blake the tone of baffled contemplation is developed by diction, syntax, figurative language, and imagery. Through these elements, we can conclude that the

Blake makes many references to the Bible in his poems, “The Lamb” and “The Tyger”. He uses biblical symbols to express the nature of God and the two different states of his creation Blake’s starts “the Lamb” with questioning the creation of the lamb. In the first two lines of the first stanza, the speaker, a child, asks the lamb if he knows who made him, what its origin is, and how it came

William Blake was a painter, engraver and poet of the Romantic era, who lived and worked in London. Many of Blake’s famous poems reside in his published collection of poems titled Songs of Innocence and of Experience. This collection portrays the two different states of the human soul, good and evil. Many poems in the Songs of Innocence have a counterpart poem in the Songs of Experience. The poem “A Poison Tree” is found in the Songs of Experience and it delves into the mind of man tainted with sin and corruption that comes with experience. In a simple and creative style, the religious theology of the Fall of Man is brought to life. The poem tells the story of how man fell from a state of innocence to impurity, focusing on the harmful repercussions of suppressed anger. Blake utilities many literary devices to successfully characterizes anger as an antagonist with taunting power.

In contradiction, William Blake’s poem, The Tyger, shows the use of archetypes through the tyger. The tyger, himself, is a symbol for anger, power, and strength. Unlike, The Lamb, this poem uses a more complex writing style. This poem differs from, The Lamb, in writing styles, for example, Blake doesn’t use repetition in this poem. This poem has a more mature and complex meaning, it is more serious and dark. In this poem, Blake questions God’s motives when he says, “Did he smile his work to see? Did he who made the Lamb make thee?” (Page 749 Line

William Blake’s poetry is considered through the Romantics era and they access through the sublime. The Romantics poetry through the sublime is beyond comprehension and spiritual fullness. A major common theme is a nature (agnostic religion). In William Blake’s poem “The Tyger” he describes the tiger as a creature that was created by a higher power some time before. In Blake’s poem he questions, “What immortal hand or eye/ Dare frame thy fearful symmetry?” (Blake 22-23). He describes the tiger as a form of symmetry that can be seen as evil, yet have intriguing features such as those that make the tiger a beautiful creation. Blake also questions if that the higher being who created the tiger also created all else around the world such as a human being. Blake shifts his first stanzas from the tiger to the creator. Not only is he questioning who created the tiger, but he is also describing the beauty and evil of the world. The beauty that the Romantics believe in is nature and one evil seen through the world is materialism that distract humans from the beauty of nature 's gifts. He believes that people lose touch with spirituality when haven’t given to nature. Blake also illustrated his own works through

William Blake’s The Tyger and The Lamb are both very short poems in which the author poses rhetorical questions to what, at a first glance, would appear to be a lamba lamb and a tiger. In both poems he uses vivid imagery to create specific connotations and both poems contain obvious religious allegory. The contrast between the two poems is much easier to immediately realize . “The lamb” was published in a Blake anthology entitled “The songs of experience” which depicted life in a much more realistic and painful light. Both poems share a common AABB rhyme scheme and they are both in regular meter. In “The Tyger” Blake paints a picture of a powerful creature with eyes of fire and dread hands and feet. He asks rhetorical questions with a respectful awe that is almost fearful and makes the setting more foreign to the reader by including imagery like “the forest of the night” By contrast. Blake’s portrait of the lamb is one of innocence and child like wonderment “The Tyger is almost an examination of the horrors in the world while “The lamb examines only that which is “bright,”tender, “mild”. The use of words like “night,” “burning’ and “terrors in the tyger”create quite a contrary image for the reader than that of “The lamb.”

Blake uses traditional symbols of angels and devils, animal imagery, and especially images of fire and flame to: 1) set up a dual world, a confrontation of opposites or "contraries" which illustrate how the rules of Reason and Religion repress and pervert the basic creative energy of humanity, 2) argues for apocalyptic transformation of the self "through the radical regeneration of each person's own power to imagine" (Johnson/Grant, xxiv), and 3) reconstructs Man in a new image, a fully realized Man who is both rational and imaginative, partaking of his divinity through creativity. The form of the poem consists of "The Argument," expositions on his concepts of the "contraries" and of "expanded perception" which are both interspersed with "Memorable Fancies" that explicate and enlarge on his expositions, and concludes with "A Song of Liberty," a prophecy of a future heaven on earth.

William Blake used animals as basic building blocks for poems such as “The Lamb” and “The Tyger.” By using these carefully selected animals to depict good and evil, the reader truly understands Blake’s words. All readers can relate to animals such as an innocent lamb and a

In “The Tyger” it states, “Did he who made the Lamb make thee?” (Blake line 20). William Blake’s curiosity makes the reader feel uncertain. He only highlights the importance of the tyger through asking questions. Blake’s questions were challenging the principles of Christianity. He was underling why God created the beautiful lamb and the ferocious tyger. He wanted people to know that the world is filled with tranquility and disturbance. God himself wants people to adhere to the opposites of life. The way we humans deal with beauty with horror and love with pain. God is the creator of both creatures, but also the creator of such emotions presented within them.