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Theme Of Control In The Handmaids Tale

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In The Handmaid’s Tale, Margaret Atwood depicts a strong theme of control within creating her futuristic dystopia, the Republic of Gilead. Power in Gilead is directly connected to the sex roles of men and women that give men all the control. The commander offers the closest thing to a justification for the horrors of Gilead than that of any other character throughout the book, “The problem wasn’t only with the women, he says. The main problem was with the men. There was nothing for them anymore . . . I’m not talking about sex, he says. That was part of it, the sex was too easy . . . You know what they were complaining about the most? Inability to feel. Men were turning off on sex, even. They were turning off on marriage. Do they feel now? I say. Yes, he says, looking at me. They do” (Atwood 210). The commander is attempting to explain the reasons behind the foundations of Gilead by suggesting that feminism and the sexual revolution left men without a purpose in life; their former roles as woman’s protectors taken away and with woman suddenly behaving as equals. By making men soldiers, providers, and caretakers of society, the goal was to reinstate meaning back into their lives; the government of Gilead creates a purpose and gives meaning to all of its citizen’s lives. Although men struggle with the idea of feeling useless, the women of Gilead are denied their basic freedoms including their identity and control over their own bodies. Amongst the women living in Gilead, there

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