In The Handmaid’s Tale, Margaret Atwood depicts a strong theme of control within creating her futuristic dystopia, the Republic of Gilead. Power in Gilead is directly connected to the sex roles of men and women that give men all the control. The commander offers the closest thing to a justification for the horrors of Gilead than that of any other character throughout the book, “The problem wasn’t only with the women, he says. The main problem was with the men. There was nothing for them anymore . . . I’m not talking about sex, he says. That was part of it, the sex was too easy . . . You know what they were complaining about the most? Inability to feel. Men were turning off on sex, even. They were turning off on marriage. Do they feel now? I say. Yes, he says, looking at me. They do” (Atwood 210). The commander is attempting to explain the reasons behind the foundations of Gilead by suggesting that feminism and the sexual revolution left men without a purpose in life; their former roles as woman’s protectors taken away and with woman suddenly behaving as equals. By making men soldiers, providers, and caretakers of society, the goal was to reinstate meaning back into their lives; the government of Gilead creates a purpose and gives meaning to all of its citizen’s lives. Although men struggle with the idea of feeling useless, the women of Gilead are denied their basic freedoms including their identity and control over their own bodies. Amongst the women living in Gilead, there
In today’s news we see many disruptions and inconsistencies in society, and, according to Margaret Atwood’s The Handmaid’s Tale, humankind might be headed in that direction. The deterioration of society is a concept often explored biologically in novels, but less common, is the effect on everyday social constructs such as the position of women as a item that can be distributed and traded-in for a ‘better’ product. The Handmaid’s Tale elaborates the concept that, as societal discrimination towards women intensifies, gender equality deteriorates and certain aspects of societal freedoms are lost. Offred’s experience with serving Gilead demonstrates a victim’s perspective and shows how the occurring changes develope the Republic.
A genuine identity and individuality is not possible in an oppressive environment especially when one’s daily life, actions, and thoughts are dictated by domineering societal expectations. Oppressive environments such as regimes controlled by a dictatorship and that run off a totalitarian government system strip an individual of their civil rights as a human being in order to gain ultimate control over its citizens. A government such as the Republic of Gilead in Margaret Atwood’s work, The Handmaid’s Tale, controls their citizen’s lives to the extent to where they must learn to suppress their emotions and feelings. In the Republic of
In “The Handmaid 's Tale” by Margaret Atwood, there is the addressing of freedom, abuse of power, feminism, rebellion and sexuality. The audience is transported to a disparate time where things normalized in our current society are almost indistinguishable. Atwood uses each character carefully to display the set of theme of rebellion within the writing, really giving the reader a taste of what the environment is like by explaining detailed interactions, and consequences as well as their role in society.
In The Handmaid’s Tale, the Gilead regime oppresses women in many different ways; they take complete control over their bodies, they
The words control and Gilead, the setting for the novel "The Handmaid's Tale" by Margaret Atwood, are interchangeable. Not only is control a pivotal feature of the novel and its plot, it consequently creates the subplots, the characters and the whole world because of its enormity in the Republic of Gilead. Resistance also features heavily, as does its results, mainly represented in the salvagings, particicution and the threat of the colonies.
Within the totalitarian society created by Margaret Atwood in the Handmaid’s Tale, there are many people and regimes centred around and reliant on the manipulation of power. The laws that are in place in the republic of Gilead are designed and implemented so as to control and restrict the rights and freedom of its inhabitants.
The Handmaid's Tale, a film based on Margaret Atwood’s book depicts a dystopia, where pollution and radiation have rendered innumerable women sterile, and the birthrates of North America have plummeted to dangerously low levels. To make matters worse, the nation’s plummeting birth rates are blamed on its women. The United States, now renamed the Republic of Gilead, retains power the use of piousness, purges, and violence. A Puritan theocracy, the Republic of Gilead, with its religious trappings and rigid class, gender, and racial castes is built around the singular desire to control reproduction. Despite this, the republic is inhabited by characters who would not seem out of place in today's society. They plant flowers in the yard, live in suburban houses, drink whiskey in the den and follow a far off a war on the television. The film leaves the conditions of the war and the society vague, but this is not a political tale, like Fahrenheit 451, but rather a feminist one. As such, the film, isolates, exaggerates and dramatizes the systems in which women are the 'handmaidens' of today's society in general and men in particular.
Form, Structure and Plot: The novel has 15 parts, 46 chapters, and 378 pages. The novel has a series of flashbacks and dream sequences that take the reader from Offred’s life in the present and her past life with Luke (her husband) and her daughter. The story is hard to follow because you do not always know what will trigger her flashbacks. The novel only covers about two years in the present, but the flashbacks cover the year leading to the present, and the historical notes jumps to 2195.
Hungry for power. Metaphorically querulous. Weak. The Commander is the representation of male insecurity. This character is derived from Margaret Atwood’s dystopian novel The Handmaid’s Tale. Atwood’s novel reveals that hunger for control can lead to the oppression of women, this is demonstrated through the Commander’s characterization, the Aunts attitudes, and some of the Gileadean rules/laws.
Desire is a powerful and dangerous emotion which has the ability to overtake and disregards any rational state of mind, creating disorder and life-threatening consequences, thus making it feared as a form of disorder or misdirected imagination. However, desire cannot exist without a lack of satisfaction, allowing the once forbidden to become desirable. These illicit desires which are in conflict with social laws and norms are often repressed into the unconscious. Emerging in forms which are disguised so that they may be unrecognisable to the conscious mind due to the dangerous, forces and consequences they present. Such desires can be identified in George Orwell’s Nineteen Eighty-Four (1949) which mirrors post-war social and political issues, portraying the devastation, destruction and control on the outer limits of humanity in a dystopian world. In a world where thought, history and relationships are manipulated and governed, romantic and autonomies desire become a means of rebellion in order to maintain sanity, truth, and an objective reality as a means of resistance against the governing party. Margaret Atwood’s novel The Handmaid’s Tale (1985) is a speculative fiction which explores the need for a sustained political, feminist consciousness and activity among woman by exploring the political and social consequence of their absence. In The Handmaid’s Tale, we see illicit desire through the use of language and literature in a dystopian world which governs class
Margaret Atwood’s harrowing novel, The Handmaid’s Tale, follows the story of a woman marginalized by the theocratic oligarchy she lives in; in the Republic of Gilead, this woman has been reduced to a reproductive object who has her body used to bear children to the upper class. From the perspective of the modern reader, the act of blatant mistreatment of women is obvious and disturbing; however, current life is not without its own shocking abuses. Just as the Gileadian handmaid was subject to varied kinds of abuse, many modern women too face varied kinds of abuses that include psychological, sexual, and financial abuse.
Throughout history, women have been shamed and oppressed in different aspects of life. In The Handmaid’s Tale by Margaret Atwood, the oppression of women continues into the dystopian future. One cannot read The Handmaid’s Tale without seeing the problems of gender separation among roles and treatment in society. Although a feminist story, The Handmaid’s Tale gives some surprisingly sympathetic portrayals of men while those of women can be critical. Men are the most mysterious characters; they are the ones we know least about and the ones that Offred can provide the least insight into beyond patriarchal society, dominant male figures, and sexual predators. Few male characters have more than functional roles of the patriarchal state. Most
In The Handmaids Tale citizens must abide by the new rules, therefore they are in constant fear of punishment which includes death. “Abortion, possibly the key issue of the Christian political movement, also had its federal funding eliminated, even though attempts to limit or outlaw abortion itself were fought successfully on Constitutional grounds.” (Napierkowoski) Many people like to argue that men are also mistreated in the novel. Men, such as the Commander, may desire to experience a true connection, this can be seen between the Commander and Offreds’ secret affair. The difference between the Commander and the Handmaids is that the Commander gets to raise a child unlike the Handmaids which are just seen as sex machines. “My red skirt is hitched up to my waist, though no higher. Below it the Commander is fucking. What he is fucking is the lower part of my body. I do not say making love, because this is not what he’s doing. Copulating too would be inaccurate, because it would imply two people and only one is involved” (Attwood 94). Shows how they are only used as sex machines…. Gilead believes that women are valuable if they are fertile and can reproduce. It can be seen in history where it is seen as the women’s fault, with Henry the Eighth. He killed his wives because they were unable to give him a son, when in reality Henry the Eighths gene left him unable produce a
The laws of Gilead dehumanizes women and takes away their rights as citizens to society. Gilead wasn’t always like that until the revolution overcame the town and took away women's rights. “In Atwood’s The Handmaid’s Tale, women are totally under the control of male members of the patriarchal society; she describes a patriarchal society and reflects the political ideology in America of that time.” Women are downgraded without any authority and control by men. “Women are like birds that are kept in cages to stop them from flying. And the authorities make women believe that this society is very secure for them and they are protected in this way of living. They also make women believe that the new way is a better freedom and God will save them if they follow.” They are taking the laws made by Gilead and comparing
Though the English language has its roots in a male-dominated society where the true meaning of words are now taken for granted. In The Handmaid’s Tale, language facilitates power. In order to effectively rule over class and gender the level of censorship on literature and control of discourses runs high. Atwood uses word choice to expose the shocking structures of the Gilead society and how faulty its foundations are as it was built upon gender inequality. The repercussions of gendered language are evident throughout the novel, implying that the sexist structure of Gilead is a result of oppressive language modern Americans accept and use in every day talk.