Theme Of Rules In The Handmaids Tale

In today’s news we see many disruptions and inconsistencies in society, and, according to Margaret Atwood’s The Handmaid’s Tale, humankind might be headed in that direction. The deterioration of society is a concept often explored biologically in novels, but less common, is the effect on everyday social constructs such as the position of women as a item that can be distributed and traded-in for a ‘better’ product. The Handmaid’s Tale elaborates the concept that, as societal discrimination towards women intensifies, gender equality deteriorates and certain aspects of societal freedoms are lost. Offred’s experience with serving Gilead demonstrates a victim’s perspective and shows how the occurring changes develope the Republic.

A genuine identity and individuality is not possible in an oppressive environment especially when one’s daily life, actions, and thoughts are dictated by domineering societal expectations. Oppressive environments such as regimes controlled by a dictatorship and that run off a totalitarian government system strip an individual of their civil rights as a human being in order to gain ultimate control over its citizens. A government such as the Republic of Gilead in Margaret Atwood’s work, The Handmaid’s Tale, controls their citizen’s lives to the extent to where they must learn to suppress their emotions and feelings. In the Republic of

In “The Handmaid 's Tale” by Margaret Atwood, there is the addressing of freedom, abuse of power, feminism, rebellion and sexuality. The audience is transported to a disparate time where things normalized in our current society are almost indistinguishable. Atwood uses each character carefully to display the set of theme of rebellion within the writing, really giving the reader a taste of what the environment is like by explaining detailed interactions, and consequences as well as their role in society.

THE OPPRESSION OF WOMEN IN ATWOOD’S THE HANDMAID’S TALE AND THEIR WAYS OF RESISTING THE REGIME

Control dominates all aspects of Gileadian society, from minor, seemingly petty normalities such as the clothes allowed, all the way up to how and who to have sexual relations with. Unimaginable in this day, Atwood represents modern society gone sour, something which is chillingly

Women in the past were perceived as insignificant because of the society’s inability to embrace and acknowledge women as of equal importance as men and of those who are wealthy. In Margret Atwood’s novel, The Handmaid’s Tale, the character by the name of Offred, is a handmaid and tells her perspective of the dystopian life in the community of Gilead. The women of 1985 serve the males and the rich if they are not a wealthy maiden themselves. However, regardless of class, women are always discerned as of lesser significance than men. This is manifested through Offred’s observation that although the women who are a Commander’s wife are entitled of higher authority than the handmaids, they are still seen as insignificant. In order to give them

Margaret Atwood's, The Handmaid's Tale, constructs a near-future dystopia where human values do not progress and evolve, but instead become completely diminished and dominated under the Republic of Gilead. This powerful and secure new government gains complete political control and begins to abuse their power by forcing fertile women to reproduce. The Gileadean society is enforced by many Biblical laws, morals, and themes, yet the Gileadian religious ideologies are based on only a few specifically selected Biblical passages that are taken literally. The selection of certain passages in the Bible helps control and manipulate the women that are being enslaved by giving them a false sense of justification and security for the treatment they

Within the totalitarian society created by Margaret Atwood in the Handmaid’s Tale, there are many people and regimes centred around and reliant on the manipulation of power. The laws that are in place in the republic of Gilead are designed and implemented so as to control and restrict the rights and freedom of its inhabitants.

The Handmaid's Tale, a film based on Margaret Atwood’s book depicts a dystopia, where pollution and radiation have rendered innumerable women sterile, and the birthrates of North America have plummeted to dangerously low levels. To make matters worse, the nation’s plummeting birth rates are blamed on its women. The United States, now renamed the Republic of Gilead, retains power the use of piousness, purges, and violence. A Puritan theocracy, the Republic of Gilead, with its religious trappings and rigid class, gender, and racial castes is built around the singular desire to control reproduction. Despite this, the republic is inhabited by characters who would not seem out of place in today's society. They plant flowers in the yard, live in suburban houses, drink whiskey in the den and follow a far off a war on the television. The film leaves the conditions of the war and the society vague, but this is not a political tale, like Fahrenheit 451, but rather a feminist one. As such, the film, isolates, exaggerates and dramatizes the systems in which women are the 'handmaidens' of today's society in general and men in particular.

Gileadean laws were only intact because of the Aunts’ enforcement. “But whose fault was it? Aunt Helena says, holding up one plump finger. Her fault, her fault, her fault, we chant in unison” (Atwood 72). The Aunts try to make the Handmaids believe that any mistake or tragedy that occur to them is their own fault. It is them who “provoke” the situation. There is to be no blame on men. Men are never at fault. This is yet another way men try to be in control. They try to control what women think. They make them suffer. The Aunts force the Handmaids to watch films where women are being beaten, cut, or killed. “Consider the alternatives, said Aunt Lydia. You see what things used to be like? That was what they thought of women, then. Her voice trembled with indignation” (Atwood 118). The Aunts try to scare the Handmaids into believing that because there are no rules to set women straight and no barriers with men, women are treated like gum under a shoe. Again this is just a demonstration of how heinous men set the Aunts to brainwash the Handmaids into believing whatever they wanted them to

Desire is a powerful and dangerous emotion which has the ability to overtake and disregards any rational state of mind, creating disorder and life-threatening consequences, thus making it feared as a form of disorder or misdirected imagination. However, desire cannot exist without a lack of satisfaction, allowing the once forbidden to become desirable. These illicit desires which are in conflict with social laws and norms are often repressed into the unconscious. Emerging in forms which are disguised so that they may be unrecognisable to the conscious mind due to the dangerous, forces and consequences they present. Such desires can be identified in George Orwell’s Nineteen Eighty-Four (1949) which mirrors post-war social and political issues, portraying the devastation, destruction and control on the outer limits of humanity in a dystopian world. In a world where thought, history and relationships are manipulated and governed, romantic and autonomies desire become a means of rebellion in order to maintain sanity, truth, and an objective reality as a means of resistance against the governing party. Margaret Atwood’s novel The Handmaid’s Tale (1985) is a speculative fiction which explores the need for a sustained political, feminist consciousness and activity among woman by exploring the political and social consequence of their absence. In The Handmaid’s Tale, we see illicit desire through the use of language and literature in a dystopian world which governs class

Margaret Atwood’s harrowing novel, The Handmaid’s Tale, follows the story of a woman marginalized by the theocratic oligarchy she lives in; in the Republic of Gilead, this woman has been reduced to a reproductive object who has her body used to bear children to the upper class. From the perspective of the modern reader, the act of blatant mistreatment of women is obvious and disturbing; however, current life is not without its own shocking abuses. Just as the Gileadian handmaid was subject to varied kinds of abuse, many modern women too face varied kinds of abuses that include psychological, sexual, and financial abuse.

The Gilead regime uses language, particularly Biblical language to solidify its power. Language has a strong influence in moulding how people think, and it is fully abused by the rulers of Gilead, for example, the phrase, ‘’give me children or else I die.’’ (pg. 99 ) gave the republic of Gilead the idea to use handmaids to bear children for barren wives. Bible readings and prayers before the ceremony, Is another example the regime justifies its actions and the role of the handmaid, to disguise what is actually taking place, which is the exploitation and abuse of women.

Bruno Bettelheim once said, “Punishment may make us obey the orders we are given, but at best it will only teach an obedience to authority, not a self-control which enhances our self-respect.” More often than not, those surrounded by rules feel pressured to adhere to them due to the fear of repercussions. Even so, it is not guaranteed people will comply. Sometimes, being bound by rules can only make one feel rebellious. This proves to be true in Margaret Atwood’s speculative fiction novel, The Handmaid's Tale. Through characterization, flashbacks, and point of view, Atwood demonstrates how strict rules lead to the temptation for defiance, despite the possible consequences.

Though the English language has its roots in a male-dominated society where the true meaning of words are now taken for granted. In The Handmaid’s Tale, language facilitates power. In order to effectively rule over class and gender the level of censorship on literature and control of discourses runs high. Atwood uses word choice to expose the shocking structures of the Gilead society and how faulty its foundations are as it was built upon gender inequality. The repercussions of gendered language are evident throughout the novel, implying that the sexist structure of Gilead is a result of oppressive language modern Americans accept and use in every day talk.