How does Browning tell the story of “My Last Duchess” in the first thirteen lines? In the opening lines of “My Last Duchess”, Browning introduces his speaker, the Duke of Ferrara, who sets the stage to tell the story of his late wife to the Count’s emissary. As a dramatic monologue, Browning’s identity is dissolved into his character’s voice and persona; the first-person narration of the Duke dominates the perspective of the story; the emissary becomes a silent listener, whose presence is only known because he is addressed as “you” and “Sir” by the speaker throughout the poem. The relationship between the speaker and the listener within the narrative thus sets up an analogous relationship between the poet, Browning, and his audience …show more content…
The intricate syntax of the following two sentences, constantly interrupted by caesuras within the verses that flow inconsistently outside of the verse in enjambments, is very difficult to follow, especially because he keeps changing the subject of his speech from the painting, to Fra Pandolf, to the emissary, to other strangers, and back to himself. The length of the sentences themselves is also inconsistent, the first verse being the only self-contained clause, indicating incoherence in the Duke’s seemingly-eloquent narrative. Browning’s verse not only establishes the Duke’s conversational tone, but also indicates the Duke’s attempt to obscure the truth, which remains as unclear and unstressed as is the fact that the Duchess is dead, even if she is “looking as if she were alive.” What “stands” is not a human being (“she”), but an objectified “piece”, an “it” possessing nothing but an “earnest glance”. Furthermore, the Duke is not aware of the double entendres of his “design”, even if we know that like “Fra Pandolf’s hands”, he is working “busily” to sustain his authority. By calling her a “piece”, a term not without sexual innuendo, he feels that he has won over her, but her objectification into a painting has been his only means to possession. It becomes apparent that the Duke’s interpretation of Fra Pandolf’s “piece” of art is not as important as our interpretation of Browning’s piece. Though Browning is more absent from the poem than the emissary, he
The narrator (Duke) who is of an upper-class is having a conversation with an envoy when he mentions ‘Will’t please you sit and look at her?’. This shows the Duke’s commanding nature as he almost forces the envoy to look at his painting although he uses a question it is rhetorical (envoys do not reply) and it shows how the Duke has power. Also, the Duke’s power is emphasized as he chooses who can see the painting ‘since none puts by the curtain I have drawn’. This gives him a sense of importance. Browning also writes ‘she ranked my gift…with anybody’s gift’. This shows that the Duke believes that names and status hold importance, power even and he expects the ‘name’ of Duchess will be enough for her but she treats everyone the same, this angers him. Throughout the poem the Duke says that he does not have ‘skill in speech’ which from the poem we can see is false. When discussing his lack of skill he says ‘which I have not’, This shows the power in words and ultimately how he couldn’t stop her with his words because he would have ‘to stoop’ he used a different way to fix his problem. Also, he says ‘I choose never to stoop’. The ‘I choose’ shows hierarchy as he has the choice. The use of the verb ‘stoop’ is interesting as it means to directly to bend one’s head, associating with the lower class or submitting yourself. This also shows the Duke’s commanding nature as he refuses to ‘stoop’ he
The poem “My Last Duchess” is a historical event that involves the Duke of Ferrara and Alfonso who lived in the 16th century. Robert Browning "My Last Duchess" presents a narrative about a recently widowed Duke who talks with an emissary had come to an arranged marriage with another lady from a powerful and wealthy family. In the perspective of Duke, power and wealth were integral in marriage and was determined to be married to a wealthy lady from a famous family. As the Duke orients the emissary through the palace, he stops and shows a portrait of the late Duchess who was a lovely and young girl. The Duke then begins by stating information about the picture and then to the Duchess. Duke claims that the Duchess flirted with everyone and did not appreciate the history of the family: “gift of a nine hundred years old name.”(33) However, when an individual continues to read the poem, it is evident that the Duke played an important role in killing the lady. Duke states that “he gave commands; / Then all smiles stopped together”(45-46) he used these words to define the death of his beloved Duchess. The aim of the essay is to analyze literary devices that emphasize the content of the poem, which includes rhetorical questions, exclamation mark, and em dash.
Browning’s use of distinct imagery further creates the picture of the Duke as an
“My Last Duchess,” by Robert Browning, depicts powerful husbands attempting to control the actions of their wives as they are free to do as they please. In contrast, women are expected to be faithful and attentive only to their husbands. The power and control of the Duke is conveyed by a painting of the Duchess. It belongs to the Duke and is referred to as “my last Duchess” (1). The use of “my” demonstrates the possessive nature of the Duke and his claim of the Duchess as his own personal possession, much like the painting itself. As the Duke persists on forcing domination upon the Duchess, he is greatly displeased to find that she treats and considers him as the same value as nearly any other man.
The Duke is going on and on and we only have one point of view. He is controlling what the audience perceive the characters as. Browning uses enjambment to make the rhyming couplets flow better in order to make the speech of the Duke more realistic. The easiness of the speech and the fact that it is flowing, shows that the Duke seems to have rehearsed everything that he is now saying to the agent. So he has had to think about what to say and wants to be able to manipulate the agent into taking his side and, indeed, wants to have control over the agent’s opinion of both him and his last Duchess. The duke's loss of control is also depicted through the rhythm of the poem. The enjambment in the poem reveals that the Duke is almost at ease with his wife's murder, because it is so flowing and he doesn’t get upset and almost doesn’t have to stop. Except for once; this is shown by the use of caesura, however as he only stutters once it seems as if he is just doing it for show. Near the end of the poem, the duke loses control. You can imagine the horrified agent rising to go and the duke's uneasiness as he loses control, and his desire to regain control of the situation as he says, ‘Nay we'll go down together, sir’ There is a caesura between ‘Nay’ and ‘we’ll’ which shows the Duke does not want to lose control but then has to pause as he thinks of a reasonable explanation for him saying ‘Nay’ to the agent leaving without him.
“That’s my last Duchess, painted on the wall...Will’t please you sit and look at her? ...since none puts by the curtain I have drawn for you.” Later in the poem, the reader realizes s/he is an emissary of a potential marriage. Being a dramatic monologue, the reader gets a front row seat to Alfonso’s shift in motive and attitude. The reader initially is led to believe Alfonso adored his late wife by the way he originally describes the fresco, “I call that piece a wonder...the depth and passion of its earnest glance...how such a [flattering] glance came there.” Later in the poem, however, the reader realizes Alfonso’s true feelings toward Medici by the way he tells the emissary of her personality. Listening from the emissary’s point of view makes the poem more interactive because it’s almost like Alfonso is having a personal conversation with the reader. It also makes the poem more mysterious because the reader doesn’t know if Alfonso is a “reliable” character—the reader only knows what Alfonso has told him or her (the emissary). By putting the reader in this position, Browning suggests that the emissary would have had the same opinions on objectification (arranged marriage, obsession with status) as Alfonso did; otherwise, why would he have said, “I gave
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
Written by Robert Browning, “My Last Duchess” is a poem about an egocentric Duke who has a painting of his last wife upon the wall and is trying to impress an ambassador who is negotiating his next marriage. Although it is obvious that the Duke is trying to persuade this ambassador, however, this is where the first mystery is created. It is almost as if he is trying to persuade no one more than himself.
look at but he feels as if the Duchess takes him for granted and she
At the age of twelve Browning sent a collection of poems off to a magazine editor, which were rejected. Once rejected Browning decided to start a career as a poet, writing poetry that is still read today. One of Browning poems “My Last Duchess” starts off by introducing that the Duke is talking to an ambassador from another nobleman while staring at a picture of his deceased wife. The Duke goes on to say how he wants to arrange another marriage. While reading this poem, the reader may start to understand that this marriage was not a happy one. Browning goes on to say some of the things that made the Duchess happy in her life, “The dropping of daylight in the West,/The bough of cherries some officious fool/Broke in the orchard for her, the white mule.” A metaphor the narrator uses to describe the Dukes problem on wanting to control everyone is a sculpture of Neptune taming a sea horse. In the end, the reader starts to understand that the Duke killed his wife because he could not contain
The two Browning poems, ‘Porphyria’s Lover’ and ‘My Last Duchess’ were written to convey to the reader how women were treated in that era; as possession, as assets. Both of these poems can be read from different points of view and they also both are what is
Robert Browning’s poems “Porphyria’s Lover” and “My Last Duchess” depict a mastery of the dramatic monologue style. Said style contains a narrative told by a character’s point of view that differs from that of the poet.The character’s monologue consists of them discussing their particular situation that they find themselves within, this is meant to convey their internal information to the reader or audience. This in turn allows the reader a glimpse into the personality of the narrating character. Within “Porphyria’s Lover” and My Last Duchess” these monologues are used along with poetic devices to develop unique male personas. Between these two personas there are evident differences in class and within each class social issues arise within each work.
The dramatic monologue “My Last Duchess” was penned down by Robert Browning. In this poem, the narrator is the Duke of Ferrara, and the listener is the count’s agent, through whom the Duke is arranging the proposed marriage to a second duchess. The poem is ironical and reveals its rhetorical sense, gradually. In the later part of the poem, the Duke claims that he does not have a skill in speech, but his monologue is a masterpiece of subtle rhetoric. While supposedly entertaining the listener by showing his wife’s portrait, he clearly reveals his character. Through his formalized tone of rhyme, he reveals his egoistic and jealous attitude.
Dramatic Monologue in Robert Browning’s My Last Duchess and The Bishop Orders His Tomb at Saint Praxed’s Church
The persona of the poem is Ulysses himself. Just like the Duke in My Last Duchess, he uses dramatic monologue. This is demonstrated when he talks to his soldiers during his past years as an energetic youth. Using the stylistic feature of flashback, he takes readers through his past life, connoting the excitement it brought him. He then brings one back to the present that immensely shows the contrast and equal discontent that Ulysses feels. The flashback also aids in building the image of the poem, in order to identify oneself with the persona. Furthermore, he uses a mixture of archaic and simple words, which is also seen in Browning’s