In the play Hamlet there are many themes that were brought to our attention; Madness, Revenge, Mortality, Religion, Incest, Family, and Death. In this essay we will be discussing two of these themes that we found intriguing, the two themes are Death, and Revenge.
(2.2.487-488) In Act 2 Hamlet asks for a speech, and the First Player delivers a description of the killing of old, white haired King Priam. Pyrrhus (The Killer), swings his sword at King Priam, and misses, but King Priam ends up falling to the ground anyway. At that moment a tower crashes to the ground. For an instant, with his sword held above Priam's head, Pyrrhus listens to the rumble of the falling tower, but "after Pyrrhus' pause, / Aroused vengeance sets him new a-work.” In this is scene Vengeance is Revenge but Pyrrhus does not represent the same kind of emotions that Hamlet has backing his intentions for revenge. The First Player weeps as he tells Hamlet the story of Queen Hecuba's grief for her husband. Hamlet thinks to himself that the First Player feels more strongly for Queen Hecuba then Hamlet does for his father. Hamlet begins to unravel and realize that he's still talking rather than taking action.
O, vengeance! Why, what an ass am I! This is most brave, That I, the son of a dear father murder'd, Prompted to my revenge by heaven and hell, Must, like a whore, unpack my heart with words, And fall a-cursing, like a very drab, A stallion! Fie upon't! foh! (2.2.581-587).
Hamlet decides that instead of taking revenge he will see if the ghost is telling the truth or not. He says that he wants to take revenge but does not have the heart in him to do it. This helps to develop the play because we see that Hamlet is reluctant to take revenge for his father because he doesn't really know the truth of what happened. After the death of Hamlet's father Hamlet is obsessed with the idea of death. He ponders both the spiritual aftermath of death, embodied in the ghost, and the physical remainders of the dead, such as by Yorick’s skull and the decaying corpses in the cemetery. The question of his own death plagues Hamlet as well, as he repeatedly contemplates whether or not suicide is a morally legitimate action in an unbearably painful world.
Apart from Hamlet's moral dilemma, he is also trying to prove or disprove what a ghost told him. This ghost is apparently the prince's progenitor, who tells Hamlet that his father's death was caused by Claudius pouring poison into his ear. The ghost encourage Hamlet to "Revenge his foul and most unnatural murder" (1012) For this reason Hamlet has to prove if the ghost is an evil spirit deceiving him, testing him, or even if he is who he really says he is, and has the implicit endorsement of a higher power. As Hamlet expresses in act 1:
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
The beginning of the play sets the stage for everything to unfold. Hamlet is weak in the mind due to his father’s unnatural death. In Act 1, Hamlet speaks to the Ghost and learns how his father died. Without Hamlet interaction with the Ghost, he would not have created a desire for revenging his father’s death. Now knowing that Claudius killed his father in order to take his place as king, it only makes sense that Hamlet desires the truth to be revealed as to what happened to his father.
Hamlet is as much a story of emotional conflict, paranoia, and self-doubt as it is one of revenge and tragedy. The protagonist, Prince Hamlet of Denmark, is instructed by his slain father’s ghost to enact vengeance upon his uncle Claudius, whose treacherous murder of Hamlet’s father gave way to his rise to power. Overcome by anguish and obligation to avenge his father’s death, Hamlet ultimately commits a number of killings throughout the story. However, we are not to view the character Hamlet as a sick individual, but rather one who has been victimized by his own circumstances.
After killing Polonius, Hamlet feel no guilt at all, he acts indifferently. The audience can evidence how appearances and reality come back into play when Queen Gertrude cries out, “O, what a rash and bloody deed is this” (Act 3, scene 4, page 106). Hamlet, responds without repentance, “A bloody deed – almost as bad, good mother, as kill a king, and marry with his brother.” (Act 3, scene 4, page 106). After this statement made by Hamlet, there is a twist in the scene. Instead of the scene being centered towards the death of Polonius, it becomes centered towards Hamlet’s obsession and hatred towards his mother for betraying him and his father by the rapid and opportune marriage to
Hamlet, unlike Fortinbras and Laertes, did not follow what his advisor told him without questioning why he should take the advice. As time passes, Hamlet still has not acted out the revenge he promised his father. Out of disgust for his irreverence for his father he says, ?why, what an ass am I! This is most brave, that I, the son of a dear father murdered, prompted to my revenge by heaven and hell, must like a whore, unpack my heart with words and fall a-cursing like a very drab? (II.ii.594-598). This statement prompts one to believe Hamlet has been convinced by his father?s words to act, but does not want to do so hastily. Hamlet questions the validity of his revenge by devising a plan to provide evidence of King Claudius? guilt. Hamlet took advantage of his position at the local theater by instructing his actors
Towards the beigning of the play Hamlet encounters the ghost of his father whom was perviously killed by his uncle during his father sleep before he could repent for his sins. The ghost of his father goes on to revel what Hamlet had suspected that was the doing of his uncle since the day of his crowning.The spirit exsplains exscatly how the events took place and requests that his son(Hamlet) be the one to avenge his restless soul. "Revenge is foul and most unnatural murder"-1.5.31. After the reveling and revelutionary visitation, Hamlet is somewhat shocked and becomes filled with anger and a thirsty heart for revenge. "How strange or odd som'er I bear myself (As i perhance here after shall think meet. To put an anti desposition."-1.5.140.142
Revenge is a force that has ceaselessly perplexed man’s conscience. Do you heed the words of the bible and let revenge fall upon the shoulders of the Lord, or do you take the eye that was so wrongfully taken from you? Do you take into your hands retribution, or do you adopt a philosophy of forgiveness? Perhaps being forgiving does not make for good entertainment. It is William Shakespeare’s Hamlet and Steven Monroe’s interpretation of I Spit on Your Grave that cultivates the viewer experience in which these questions are left to marinate in the minds of its viewers. Hamlet’s lust for revenge, not unlike the protagonist in Monroe’s adaptation of I Spit on Your Grave, is what keeps the viewer intertwined within the tale. Hamlet
William Shakespeare’s play Hamlet is considered to be a great tragedy in the eyes of many. In the play, the protagonist, Hamlet, is on a quest to avenge the death of his father. At the beginning of the play, Hamlet is upset that his mother married his uncle, Claudius, only two months after his father’s death. As the story progresses, Hamlet is confronted by King Hamlet’s ghost. The ghost informs Hamlet that he was murdered by Claudius. When the ghost asks Hamlet to seek revenge for his murder, Hamlet takes on the task whole-heartedly. Hamlet’s actions, in the first half of the play, are rooted in revenge and anger, not madness.
“Something is rotten in the state of Denmark. “ (Act 1.5). This quote fits in with the most reoccurring theme from Hamlet which would be death. There is questions of afterlife, contemplations of suicide, and acts of murder. Almost every character in the play spoke of one or more of these major themes.
Shakespeare's intention in the play was to show people that revenge is not always the answer to your problems. In the play, there are different reasons why the ghost of Old Hamlet asked his son Prince Hamlet to seek revenge on his uncle Claudius. Firsty Claudius murdered King Hamlet with poison poured in his ear, he took the crown as the new king and he also married Ghost Hamlet's wife, Gertrude. This was a terrible crime as seen when the Ghost states “O, horrible! O, horrible!
Hamlet, a sociopathic narcissist uses vengeance, a retribution of an action done toward him. He uses the death of his father as justification for his actions. In his mind he believes he can use revenge to gain power and control. By using vengeance, he is convincing everyone in his surroundings of his power. In Shakespeare's play, “Hamlet”, a theme of power occurs often. Hamlet’s compulsion revolves around the death of his father. As a protagonist, Hamlet is also a hero. His actions toward his control, are both moral and immoral implications involved through demanding revenge.
Coming immediately after the meeting with the Ghost of Hamlet’s father, Shakespeare uses his second soliloquy to present Hamlet’s initial responses to his new role of revenger. Shakespeare is not hesitant in foreboding the religious and metaphysical implications of this role, something widely explored in Elizabethan revenge tragedy, doing so in the first lines as Hamlet makes an invocation to ‘all you host of heaven’ and ‘earth’. Hamlet is shown to impulsively rationalize the ethical issues behind his task as he views it as a divine ordinance of justice, his fatalistic view reiterated at the end of scene 5 with the rhyming couplet ‘O cursed spite,/That ever I was born to set it right’. These ideas are
There are several conflicts that occur throughout the novel and they all require some sort of revenge whether it be personal or for an entity as large as a country, so that the party involved can feel a sense of resolution. The instances that require revenge all consist of a father relationship. Hamlet desires to avenge his father by killing Claudius, Fortinbras by killing King Hamlet and taking his land for Norway, and Laertes by killing Hamlet. The theme of revenge is evident throughout the novel because each of these conflicts lead to major plot conflicts and further progressions in the plot. The three men that attempt to seek revenge all desire to protect their family and country name. Fortinbras wants Norway to gain its land back and to kill Claudius so that he can gain not only his family reputation back, but the reputation for the country as a whole as well. Laertes wants to kill Hamlet because he sees that his whole world has crumbled down due to his actions. Right before Hamlet dies, he asks Horatio to remain and tell the story of what really happens during the duel and why everyone ends up dying so that people will not make up false stories and accusations that will result in his family’s name and honor being dragged in the dirt.
Similar to Hamlet’s fascination, the theme of death is also shown in this play through his revelation of the finality of death. In the fifth act of this play Hamlet witnesses death on the deepest level yet as he stares death in the face while holding the skull of Yorick. At this point Hamlet begins to see life’s impermanence "... Alexander died, Alexander was buried, Alexander returneth to dust, the dust is earth, of earth we make